One of the advances Nikon has made with the Nikon D810 is the complete removal of the low-pass (aka anti-aliasing) filter. The Nikon D800e achieved a similar effect by adding a second filter layer to undo the effects of the anti-aliasing filter, but the move to eliminate it completely in the D810 goes a step further. The concern, of course, is the potential for increased moire, or color interference patterns, in small details. To test out the Nikon D810 for moire in landscapes, I chose the Milwaukee skyline…

Starting in late July, Nikon will be shipping its anticipated update to the Nikon D800/e. The Nikon D810 is an upgrade in nearly every aspect of camera and video performance, although each single change is not dramatic. Faster frame rate (5fps full-frame, 7fps DX with battery pack), improved Autofocus, improved sensor with better low-light performance, upgrades for videographers, and a removed low-pass filter (ala the “e”) with improved anti-moire are some of the highlights. The price is the same as the original Nikon D800e price – $3300. The new model will likely be very popular with owners of the current models, and with some D600 owners looking to get more resolution and a few more features. We’ll review the camera when it is available, of course! In the meantime, if you're gung-ho, you can pre-order a Nikon D810 from B&H for $3296.95.

by David Cardinal

There is no question that Sigma has really upped its game with its new family of Global Vision lenses. I love the GV-version of the Sigma 120-300mm f/2.8 OS HSM Lens, and continue to feel it is the world’s best lens for vehicle-based wildlife photography. This month I’ve had the pleasure of shooting with its new Sigma 24-105mm OS HSM Lens on both a Nikon D4S and a Nikon D7100. The short version is that the lens lives up to the Global Vision brand, but read on to see whether it might be the right mid-range zoom for you:

Adobe has taken Lightroom mobile, announcing a highly simplified version for the iPad that syncs seamlessly with your main computer’s Lightroom collections. It is well-designed and a joy to use. I’ve been working with it for the last week, and have posted my hands-on review on Extremetech. Frankly, the tablet I carry every day isn’t an iPad (it’s a Samsung Note 10.1 2014 Edition), but Lightroom mobile is one of the first apps that’s tempted me to bring an iPad along as well. It’s free to get started for anyone with a Creative Cloud or Photographer Program subscription from Adobe (you will need one of those, unfortunately for folks who’ve been buying Lightroom a la carte).