Lenses

Sigma 85mm f/1.4 Art lens field tested: Sweet!

Regular readers know that as someone who does a lot of wildlife and sports photography, the long lenses in my camera bag usually don’t leave much room for high-quality (read Large) prime lenses. So I took advantage of a recent hiatus between trips to get review units of two of the sharpest primes to test out with my new . First up is the highly-rated .

 

Sigma rocks four new high-end DSLR lenses

While the overall DSLR market isn’t super-healthy, and any number of vendors have been slowing down their rate of product introductions, Sigma Photo has been able to churn out impressive new lenses on a regular basis. This month brought four more – three in its high-end Art series, and one super telephoto in its Contemporary series. The Art lenses are a 14mm f/1.8 HSM, a 24-70mm f/2.8 HSM with OS, and a 135mm f/1.8 HSM. In the Contemporary line there is a 100-400mm super-zoom f/5-6.3 HSM with OS. All of the lenses are “DG,” so they will work on both full-frame and APS-C sensors.

Sigma 24-105mm f4 Global Vision Lens Delivers the Goods in our Field Test

by David Cardinal

There is no question that Sigma has really upped its game with its new family of Global Vision lenses. I love the GV-version of the , and continue to feel it is the world’s . This month I’ve had the pleasure of shooting with its new on both a and a . The short version is that the lens lives up to the Global Vision brand, but read on to see whether it might be the right mid-range zoom for you:


Nikon’s New 24-120mm f/4 AF-S VR Lens: The Perfect Compromise?

Nikon AF-S NIKKOR 24-120mm f/4G ED VR Zoom LensMid-range zooms have become the bread and butter lens for almost all photographers, pro and amateur. So each new announcement in that space is greeted with tremendous energy and excitement. Nikon’s overhaul of the venerable 28-70mm f/2.8 into the digital full frame friendly 24-70mm f/2.8 was big news for Nikon shooters. But the 24-70 is large, heavy, expensive and doesn’t have VR (Vibration Reduction). Sigma’s 24-70 helps with the first three but it also doesn’t have VR. And neither offers the kind of large range photographers have come to want from their zooms. So enter the new Nikon 24-120mm f/4 AF-S VR Lens—Nikon’s third offering in that zoom range. Read on to find out if it finally the perfect fit for your needs…


Nikon brings VR to its Wide-Angle Zooms with a new 16-35mm f/4 AF-S VR, also new ultra-fast 24mm f/1.4

One missing link in Nikon's Pro lens line has been the lack of VR on the mid-range and wide-angle zoom lenses. Certainly VR is not as important on these lenses as on longer focal lengths, but there are many conditions where hand-holding is the only option and a low shutter speed is the best option. Now with the new 16-35mm f/4 AF-S VR Nikon has addressed the shortcoming...The lens features include:

GearGuide: Camera Lenses for Bird Photography

Even more important to excellent bird photography than having the right camera is having the right lens. There is no point in purchasing that dream camera body and crippling yourself with a cheap lens. In the 8 years I've been leading digital photo safaris I've had the chance to use or at least see used just about every likely lens made for Nikon and Canon camera bodies and have plenty of hopefully useful thoughts to share with you:

Nikon Announces 70-200 VR II and 18-200 VR II lenses -- Upgraded at upgraded prices

Nikon has launched updates to the Nikon 70-200 f/2.8 VR lens and the popular Nikon 18-200mm DX f/3.5-f/5.6G lens....