The Melrose Arch mall and environs in Johannesburg provided some good locations to capture images for the new DxO ONE. To make sure the camera was doing as much of the work as possible, I left it on Auto mode for all but a couple of the shots. Here’s a gallery of some of my favorites (NOTE: This is a pre-production camera, so final image quality will be different when the unit ships to customers) – Images are all copyrighted, so ask for permission before using them)…

Wildlife photographers have some amazing, and amazingly expensive, lens options from Canon and Nikon, but for many the huge price tags – not to mention large size and weight -- make them impractical. Instead, they have needed to compromise image quality to meet their budget. Fortunately, modern manufacturing techniques and lens design software improvements have continued to improve the quality of third-party value-priced lenses. The first of this new breed is the Tamron 150-600mm lens that I field tested in Texas during my workshops this month...

There is nothing more frustrating to a photographer than not being able to judge the color of their images. Even black and white images need accurate tonal values. That’s why I’ve long been a proponent of a fully color-managed workflow, providing the best chance that images shown on your monitor will match the way they came out of the camera and the way they look when printed. There are plenty of solutions, but having tried most of them, the one that stands out as a combination of functionality, ease-of-use, and reasonable price. That’s the Spyder line from Datacolor. This week Datacolor released a sleek new version – the Spyder5. I’ve been using it for a while now during its beta test, and am impressed…