Submitted by David Cardinal on Mon, 01/23/2017 - 10:03
Right from the first look the screams retro, and reminds one of a Leica. Its square-shaped, solid-metal, body, with large control dials on top is a definite throwback. At first blush, so is the Rangefinder (which under the hood turns out to be a lot more than that). As with Leica, a carefully-curated selection of high-performance lenses complement the camera itself. The design may be retro, and a few of the features, but the Fuji X-Pro 2 packs a punch when it comes to the latest technology, features, and premium image quality. You won't be sacrificing anything in those areas by moving to one.
Submitted by David Cardinal on Wed, 10/12/2016 - 10:41
Sony has set the standard for high-end point-and-shoot cameras since it first introduced the Sony RX100 Mark I. Each year has brought additional features in the form of a new model, and this year is no exception. The adds the increasingly-popular Phase Detect AF, and a startlingly fast 24fps burst mode.
Submitted by David Cardinal on Mon, 06/20/2016 - 07:53
No one like carrying a lot of camera gear, or changing lenses. But for many of us it is a necessary evil to get the shots we want. But the question I get asked most is "I want a camera that does it all, but I don't want to carry several lenses or a big backpack or tripod, what should I buy?" The new is an excellent answer. With a 1-inch-format 20MP sensor, and a 24-600mm super-zoom lens from Zeiss, it takes remarkably good images for an all-in-one camera, and it does it across a massive focal length range. The big upgrade from the Mark II is an increase in zoom range from 200mm to 600mm at the long end (resulting in a slightly larger, and more-expensive, camera).
Submitted by David Cardinal on Wed, 04/13/2016 - 08:03
I've spent a lot more time shooting with the new since my first look article, and the experience has reinforced my impressions -- both pro and con. On the pro side, the speed and image quality is really amazing. I covered multiple events at Nvidia's tech conference, in a variety of awful lighting conditions, and the camera performed flawlessly at ISOs up to 3200 (where I had Auto ISO set to top out). However, even after some customization of the interface, I found the controls inefficient, especially in dark rooms.
Submitted by David Cardinal on Tue, 03/29/2016 - 10:30
Almost every photographer I know wishes their camera was smaller and lighter. But of course they don’t want to give up speed or features. This is particularly true with those of us clinging to our DSLRs, but constantly eyeing the mirrorless category for new models, as they creep up on our larger cameras in capability. With the launch of its , yet another set of barriers to moving to mirrorless have come down. I’ve been shooting with one since its launch and while I’ll be doing a more-detailed review, I wanted to get my preliminary thoughts out.
Submitted by David Cardinal on Mon, 07/06/2015 - 07:14
No segment of the camera market has improved as quickly as the superzoom point and shoots. Originally more of a gimmick than a real tool, these tiny models are now quite capable of producing very usable images. However, to get their massive zoom ranges crammed into a few-ounce body means using a fairly small sensor. Likewise, electronics are limted by their weight and low price, so exposure, focus, and the EVF also suffer. To see what the new models are capable of, I brought along the new with me to Africa on safari to field test (in addition to my primary DSLR of course). For the most part I was pleasantly surprised with the results, but it certainly had some drawbacks as well…
Submitted by David Cardinal on Mon, 03/16/2015 - 08:47
Sony brought the premium compact camera segment back to life with its 1-inch sensor RX100, but its rivals haven't left it have free run of the market. Panasonic's Lumix LX100 has become a worthy competitor, although its larger size and greater weight make it a less attractive alternative than Sony's latest version, the RX100 III. Now Canon has come out with a model that combines the popular interface from its "S-series" point and shoots with a few more manual controls and a 1-inch, 20MP sensor, to create the Canon G7 X. It has the best overall image quality ratings of any camera in its class, so we got one to put through its paces…
Submitted by David Cardinal on Thu, 02/26/2015 - 10:59
It is a truism in photography that the best camera is the one you have with you. In that spirit, whenever I’m asked for advice on what new camera someone should buy, I try to figure out not just their budget and needs, but how much camera they’re really likely to be willing to carry around. For many, it isn’t obvious what they gain by “trading-up” to a larger, heavier, and more-expensive model. While it is always dangerous to generalize, there are certain rules of thumb about the pros and cons of various types of current-model digital cameras. We’ll help you sort through your options…
Submitted by David Cardinal on Tue, 12/23/2014 - 08:59
I’ve always lusted after a Leica Rangefinder camera. They were, and for some still are, the epitome of image quality and style. However, by the time I had enough money to even think seriously about buying one, much of my photography involved wildlife and sports – so my photo budget went to big cameras, bigger lenses, and travel to places where I could find my subjects. So it was with great excitement that I started my fieldtest of Panasonic’s with Leica lens…
Submitted by David Cardinal on Thu, 08/21/2014 - 09:30
For the past few weeks I’ve been shooting with a in a variety of situations. I wasn’t enough of a fan of the D800 to purchase one, so I didn’t expect to want to purchase my review either. However, Nikon has done enough to improve the camera that it is now a winner for me, and this one will likely be staying right here in my camera bag. Here’s why…
Submitted by David Cardinal on Wed, 08/06/2014 - 08:53
One of the advances Nikon has made with the is the complete removal of the low-pass (aka anti-aliasing) filter. The Nikon D800e achieved a similar effect by adding a second filter layer to undo the effects of the anti-aliasing filter, but the move to eliminate it completely in the D810 goes a step further. The concern, of course, is the potential for increased moire, or color interference patterns, in small details. To test out the for moire in landscapes, I chose the Milwaukee skyline…
Submitted by David Cardinal on Mon, 07/28/2014 - 13:55
B&H now has the new in stock. They have a limited supply, and will no doubt sell out soon. As tested by DxOMark, it set the all time image quality record with a score of 97 points (just beating out the D800 and D800e). I’m in the middle of field-testing my review unit, so I don’t have a full report, but wanted to get the word out before the first shipment disappears. As to what I’ve found so far…
Submitted by David Cardinal on Tue, 11/05/2013 - 08:41
Nikon’s poorly kept secret of its classicly-lined Df photo-only DSLR is finally out in the open. The , harkening back to Nikon’s flagship “F"-Series” pro SLRs is now available for pre-order, and the specs are head-turning. It isn’t for everyone, but serious street photographers, classic photojournalists, collectors, and hobbyists should take a look.
. If you decide to buy, you can pre-order in either or for $2750, or in or for $3000 from B&H.
Submitted by David Cardinal on Thu, 10/17/2013 - 10:22
Nikon has continued to push the envelope of what’s possible with DSLRs, by relentlessly taking technologies – especially sensors – from its more expensive models and using them in less expensive versions. The is a perfect example. Using the excellent, very sharp, 24MP sensor from the and an updated EXPEED 4 processing chip, the is likely to make those looking for amazing images in a small package very happy.
There is a lot of hype this month about Lytro and the potential for 3D photography, but for some real excitement, check out the Lumix 3D1. Featuring two fully functional cameras built into one point and shoot the 3D1 allows the simultaneous capture of video and stills, or wide-angle and telephoto images, or of course 2 images separated by enough distance to allow the automatic creation of 3D images from them. Expected to ship in December for $499, this camera will definitely break open a new world of possibilities for traditional point and shooters.