Submitted by David Cardinal on Wed, 12/14/2016 - 15:44
This year has seen the first consumer-friendly 360-degree cameras capable of 4K video capture. 4K or better resolution is much more important for 360-degree cameras than for traditional models, because those 4,000 x 2,000 pixels have to cover a full 360-degrees of the scene. The best known of these cameras is Samsung's Gear 360, so we took one out for a spin to see if it is indeed a worthy upgrade to the Ricoh Theta S that we reviewed earlier in the year. In short, it is a solid step up in output quality, but at the cost of a somewhat-awkward form factor. Keep in mind that to use the full features of the you need to pair it with a Samsung Galaxy S6, S6 edge, S7, S7 Edge, or Note 5. It’s bundled software is also Windows-only.
Submitted by David Cardinal on Tue, 10/18/2016 - 13:23
A common theme in compact cameras is the tradeoff between zoom range and image quality. The very top rated () has the best image quality, but a small zoom range of 24-70mm. The () stretches that to 24-100mm, but that’s not much of a gain. On the other extreme, the () provides both an amazing zoom and great image quality, but is much larger and more expensive. Enter the . It is larger than the RX100 or Canon G series, but not by a huge amount. In exchange it offers a larger, 25-250mm, zoom range but doesn’t trade off much in image quality.
Submitted by David Cardinal on Wed, 10/12/2016 - 10:41
Sony has set the standard for high-end point-and-shoot cameras since it first introduced the Sony RX100 Mark I. Each year has brought additional features in the form of a new model, and this year is no exception. The adds the increasingly-popular Phase Detect AF, and a startlingly fast 24fps burst mode.
Submitted by David Cardinal on Tue, 09/20/2016 - 09:07
After teasing us at CES with impressive 360-degree 4K video from its action camera prototypes, Nikon has finally announced the details of the three models in its KeyMission family of action cameras. Unlike Nikon’s under-performing entries in the mirrorless market, that never took off, the KeyMission cameras are designed to deliver state-of-the-art performance at very reasonable prices – pitting them squarely against the slow-to-ship Samsung Gear 360 and the incumbent line of GoPros, now updated with the new Hero 5.
Submitted by David Cardinal on Thu, 09/15/2016 - 08:34
Both Nikon and Canon have been late to the game, and half-hearted, in their attempts to enter the mirrorless market – content up until now to protect their DSLR offerings. However, the writing is on the wall, and with the advent of phase-detect pixels and high-resolution EVFs, mirrorless is poised to take over even more of the traditional DSLR market. With the Canon seems to have finally decided to produce a state-of-the-art mirrorless offering, able to go head to head with its own DSLRs. A 24MP APS-C model, capable of 9 fps, and sporting a 2.36MP EVF and dual pixel AF, it will be worth considering for anyone not completely addicted to an optical viewfinder.
Submitted by David Cardinal on Thu, 08/25/2016 - 10:30
In a major upgrade to its “mid-size” pro DSLR, Canon has pushed DSLR performance further with its new . The 30.4MP full-frame camera can shoot at 7 fps for up to 21 frames in RAW, and an unlimited number when recording JPEG. 61 AF points should give it excellent Autofocus performance. The addition of 4K video @ 30 fps (up to 30 minute clips) is also a nice, modernizing, feature. Startup time is an impressive .1 seconds, with a 58 millisecond shutter lag. At 1.76 pounds, it fits squarely into the “mid-range” of pro DSLRs, a popular category for those who don’t want to carry (or pay for) the 3 pound monster flagship models.
The power of the comes at a price. You can pre-order one for $4,600 from B&H, with the cameras expected to start shipping on September 8th.
Submitted by David Cardinal on Wed, 07/27/2016 - 08:51
Few cameras have had a more loyal following than the Nikon D300 (and predecessor Nikon D200). For those who wanted a pro-quality Nikon without moving to the size and expense of full-frame, they represented an excellent combination of features at a reasonable price. However, as the years have gone by, the tech in those cameras has been left in the dust. Many owners have been forced to move either “down” to a more consumer-oriented, but newer, model like the , or up to a larger, more-expensive, model like the . No longer. I shot almost exclusively in Alaska for two weeks with a , and loved it. It is easy to hold, fun to use, and took photos that are as high quality as I’ve ever seen from a 21MP sensor.
Submitted by David Cardinal on Tue, 07/26/2016 - 08:21
The appeal of a camera you can always have with you is obvious. For an increasing number of people that’s their smartphone. But if you want to have something with a bigger sensor and a zoom lens, a compact point-and-shoot is the way to go. That creates something of a Goldilocks problem – the cheap, small ones aren’t much better than a phone, and the high-end ones don’t fit in a pocket. Canon has done a good job over the years with its S series in finding a middle ground – reasonable sensor, good features, and Raw capability. I’ve been shooting with the newest version, rebranded as the , and have been impressed by the upgrade in image quality, while learning to like, or at least live with, the new Touchscreen-centric interface…
Submitted by David Cardinal on Mon, 06/20/2016 - 07:53
No one like carrying a lot of camera gear, or changing lenses. But for many of us it is a necessary evil to get the shots we want. But the question I get asked most is "I want a camera that does it all, but I don't want to carry several lenses or a big backpack or tripod, what should I buy?" The new is an excellent answer. With a 1-inch-format 20MP sensor, and a 24-600mm super-zoom lens from Zeiss, it takes remarkably good images for an all-in-one camera, and it does it across a massive focal length range. The big upgrade from the Mark II is an increase in zoom range from 200mm to 600mm at the long end (resulting in a slightly larger, and more-expensive, camera).
Submitted by David Cardinal on Mon, 05/16/2016 - 10:28
Along with Virtual Reality, no trend is hotter this year than 360-degree photos and videos. For a few years now, you've been able to cobble together a 360 photo using an app on your phone to stitch together the many required images -- with predictably-mediocre results.
Submitted by David Cardinal on Thu, 02/04/2016 - 09:57
If you asked me to write down by dream specs for a mirrorless camera, they’d look a lot like those of the newly announced . It surpasses not just all similar Sony models, but all other compact-size mirrorless cameras on the market – in many cases by leaps and bounds. Let’s go over its breakthroughs…
Submitted by David Cardinal on Wed, 01/20/2016 - 08:13
Up until now, the choice for best point and shoot was tricky – none of the three leading cameras had everything. The got top marks for image quality and has a good zoom range, but no viewfinder. The sort-of-has a viewfinder (it is a small pop-up), but has a limited zoom range and is a little lower-scoring on image quality. The somewhat older is also a worthy competitor, but its larger size isn’t justified by image quality or features. Canon has finally broken the logjam with its new . This new model adds an excellent Electronic ViewFinder (EVF) and a hot shoe for an add-on flash. There are also some other, smaller, updates to video recording formats and other features, but the EVF and hot shoe are clearly the headline here.
Submitted by David Cardinal on Tue, 08/11/2015 - 08:57
For those have followed the ground-breaking Sony RX100 since it became one of the first and best cameras to fit a 1-inch sensor into a compact form factor, each new version is eagerly anticipated. The good news is that Sony has steadily improved the camera's features with each updated model.