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Cardinal Photo Resources: Presets for your use

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Using Adobe’s Adjustment Brush in Photoshop or Lightroom to rescue awkwardly-lit scenes

Despite the power of post-processing tools, one area that has always been labor intensive and error-prone is correcting images that have multiple light sources with multiple color temperatures. Since white balance is best set on the raw image, correcting for two or more different light sources has required “developing” the image multiple times and then using layers and layer masking to composite a version that shows each area lit correctly. Fortunately Adobe has changed all that…

Making Sense out of Sensor Sizes

--by David Cardinal

It has become almost impossible to actually figure out how big a sensor is, or how long a lens is, just by glancing at the specs. For most of the photography industry, for many decades, 35mm was more or less the norm. By definition that meant a standard size film negative, about 35mm by 24mm – corresponding to today’s “full frame” sensors – and a simple measurement of focal length for lenses could be read right of the lens as a result.

Shooting an Indoor Event? Some Tips on How to Do It Right

I've posted an article on my blog over at B&H with some key tips on shooting indoor events. Enjoy and let us know your favorite tips as well.--David

A Photographers' Guide to Image Resizing

By Dave Ryan, February, 2006

How big is my photo, or how big can I make it? Sounds like a simple enough question, but it’s among the most frequently asked questions by those new to digital imaging. And when the answer starts coming in terms of megapixels, megabytes and pixels per inch(ppi) it can leave the newcomer wondering why it all has to be so complicated.