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Images: Dua Lipa, Three Legged Thing, Bandai Namco

It's the weekend, so that means we're once again rounding up all the little accessories and gadgets that we heard about throughout the week. But first, let's see what's on sale this week...

Full Frame Gold

The Sony a7R V.

Photo: Richard Butler

The Sony a7RV, which has earned both a place on our best high-end cameras buyers guide and a gold award, is currently on sale for $500 off MSRP. It features a stabilized 61MP sensor, as well as Sony's excellent autofocus system.

Buy now:

Buy at B&H PhotoBuy at Amazon.comBuy at Adorama

The Nikon Z5.

Photo: Dan Bracaglia

For those looking to spend a little less, the DPReview Gold-winning Nikon Z5 is also $400 off MSRP, which makes it just under $1,000 body only. It features a 24MP sensor, and while its autofocus and video are far from class-leading, its ergonomics and battery life help make up for those downsides - especially at this price.

Buy now: $996 at Amazon $996 at B&H $1,696 with 24-200 lens at Amazon You get a SmallRig, and YOU get a SmallRig

The EOS R5 II is going into its cage, and it's feeling just fine.

Image: SmallRig

SmallRig has come out with a few new kits this week. The company has started selling versions of its 'HawkLock' quick-release cage and 'Black Mamba' ergonomic cage for the Canon EOS R5 Mark II now that the camera is starting to make its way to consumers. The company is also releasing a traditional basic cage for the EOS R5 II.

HawkLock cage kit for EOS R5 II: $128 at SmallRig Black Mamba cage kit for EOS R5 II: $145 at SmallRig

The company has also released 'Colorful Editions' for the HawkLock cages for the Sony FX3 / FX30 and A7R V / A7 IV / A7S III. Similar to its last color event, it's only selling a limited number of each, though there are fewer colors to choose from; you can only get the cages in red or orange this time around. They also come at a $5 price premium over their black counterparts.

Image: SmallRig

On the other end of the photography/videography spectrum, SmallRig has also released a new kit for people serious about shooting video with their phones. Its 'All-In-One Mobile Video Kit' is a collaboration with YouTuber and filmmaker Brandon Li. It includes a cage, which you can attach to your phone using Apple's Magsafe or a more traditional clamp, as well as a pair of handles, a 67mm filter plate, and a USB hub.

The handles have a few tricks beyond just giving you a place to grip your phone. One includes an m.2 SSD enclosure, which can be used for external ProRes recording on the iPhone 15 Pro. It also has an integrated Bluetooth remote, which acts as a wireless shutter and zoom control for Android phones and iPhones.

SmallRig is offering several different bundles of the video kit, and you can buy several of the components separately.

Buy now: $240 at SmallRig An always-with you card reader Image: Anker

If your phone is less of your main camera and more of an accessory to your photography, Anker's latest MagSafe offering may be for you. It's a puck that adds an SD and TF card reader to the back of your phone, so you can offload pictures from a dedicated camera to share on social media or upload to the cloud.

The MagGo USB-C Adapter has an integrated USB-C cable, which plugs into your phone to enable data transfer. It also has a USB-C port on the side, which allows it to also act as a pass-through charger if you connect it to a power adapter or battery bank. According to Anker it can output up to 42.5W, and supports data speeds up to 312MB/s (though the iPhone 15's USB-C port is limited to much slower USB 2.0 speeds).

Of course, you can also connect the MagGo's cable to a computer, which will let it act as a USB-C hub and card reader dongle.

Buy now: $35 at Amazon The Desk Arm

This could be an incredibly easy way to mount a camera and ring light to your desk.

Image: Three Legged Thing

Three Legged Thing has announced a series of accessories called the 'Camera Desk Mount System.' At its heart is an extending pole that you can clamp to a table or desk with a ball head and 1/4"-20 thread on top. Also available is an accessory arm that clamps to the pole and that can be purchased in straight or articulating varieties.

The company is marketing the system towards content creators making videos for TikTok, Reels, and Twitch, but it could also be handy for photographers who often find themselves needing to get top-down shots of their desk (or for people who want a place to mount their extra-fancy webcam). It can hold items up to 1kg (2.2lbs).

The upright mount costs $35 on its own, and you can get a kit with a single accessory arm for $50 or the articulating arm for $60. You can also get the arms a la carte for $23 and $30, respectively.

Buy now: $35 at B&H Tiny Nikons Image: Bandai Namco

This next pick isn't an accessory for your camera but rather a camera-shaped accessory for your desk, keychain, or bookshelf. Nikon has partnered with Bandai Namco to create miniature versions of the Nikon F, Z Fc, SP, and Z9, which will be sold through capsule vending machines known as gashapons.

Each plastic figurine comes with a specific 'lens,' though they are removable, so you might be able to mix and match them if you had multiple models. According to The Verge, they're only available in Japan. Those of us elsewhere will have to be happy just knowing these exist in the world.

Radical optimism about film Image: Dua Lipa

The final piece of gear doesn't come from a camera retailer but from a pop star's merch shop. Dua Lipa, the artist behind hits like 'New Rules' and 'Don't Start Now,' is now selling a 'reusable 35mm underwater camera' on her merch store (via Kosmo Foto). It has a 28mm F9 'focus free' lens, according to the very colorful box.

The camera's branded with the name of her latest album 'Radical Optimism,' and includes a lanyard and waterproof shell that'll work down to 3m (approx. 10ft). However, the package doesn't include any film, which is a bit of a bummer given its $40 price tag - you can currently get a 27-shot waterproof disposable for around $13, which is unfortunately cheaper than most rolls of color ISO 800 film these days. It's also worth noting that Fujifilm and Kodak's one-time-use waterproofs are rated to go over twice as deep as Dua's.

However, it's probably worth looking at this camera with some... optimism, for lack of a better word. If a Dua Lipa fan sees it, buys it, and has fun with it, that's one more person keeping film alive. How's that for Future Nostalgia?

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This week, Sigma announced its 28-105mm F2.8 DG DN lens for L and Sony E mounts. Luckily, we were able to get some hands-on time with the lens during a holiday weekend in the US, which meant we were able to shoot with it while traveling. Given the versatile focal length, that will likely be a common use-case for this lens.

Click to view our Sigma 28-105mm F2.8 DG DN Art sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Image: DJI

DJI has announced a new drone called the Neo. It costs $199, weighs a mere 135g (4.76oz), can shoot 4K video, and can fly for up to 18 minutes. The company says it's designed as "a vlogging tool ideal for capturing everyday life, leisure activities, family moments, and pets."

In essence, it's a flying selfie camera, similar to the HoverAir X1 or Snap Pixy. It comes with removable propeller guards that allow it to be used safely indoors, though using them will slightly reduce its flight time.

The Neo can capture 12MP images using a Type 1/2 (6.4 x 4.8) sensor with a 14mm full-frame equivalent F2.8 lens. It can shoot in 4K/30 or 1080 at up to 60p. If you aren't using electronic image stabilization, the video will be 4:3; turn on the 'RockSteady' or 'HorizonBalancing' mode, and it'll drop down to 16:9. The drone also has a physical single-axis (up/down) gimbal to help keep footage steady, even if it's moderately windy.

The DJI Neo can do 'Palm Takeoff' and automatically follow you around.

Image: DJI

The drone's controls align with its beginner and casual photographer-friendly nature. A button on the top lets you select what mode you want the drone to use; by default, it will follow you, using 'AI algorithms' to keep you in frame, even if you're moving quickly on a skateboard or bicycle.

From there, you can hold it out in your hand and it will automatically take off and start recording after detecting you as a subject. How you get it to land will depend on what mode it's in, but it can fly back and land in your palm as well.

The drone also has a feature known as 'QuickShots,' where it will automatically perform a specific movement such as circling around you or zooming straight up into the sky while keeping you in the center of the frame. You can select a QuickShot mode using the button, or the drone's app.

You can essentially control the DJI Neo with one button, though the company says you should set up the app in case you need to take control of it while it's in flight.

Image: DJI

The app also lets you control the drone with your voice or with virtual joysticks on the screen. It's also how you preview the footage it's taking and export it to social media, and it even supports recording audio with your phone's microphone.

You can buy an optional controller for the Neo, but physical controls alone won't make it a suitable replacement for serious video drones like the DJI Mavic or even DJI Mini. Those drones have larger cameras, more sophisticated gimbals and ranges measured in kilometers, where the Neo can only be used up to 50m (164ft) away.

Of course, that's not what the Neo is designed for. As its product page says, it's made to 'capture cinematic footage with YOU in focus,' and to do that task with as little fuss as possible. And at that $199 price point, it seems likely it'll be a hit with consumers who want to spice up their social media feeds without really having to learn how to use a drone.

The Neo is for people who want drone shots without having to learn how to use a drone

With that said, there are potential dark skies in DJIs future that any Americans considering the Neo should be aware of. Congress is currently considering passing the 'Countering CCP Drones Act,' which could act as a de facto ban on the company's drones. If passed, "telecommunications and video surveillance equipment or services" made by DJI would be placed on a list of products that 'pose an unacceptable risk to U.S. national security,' according to the bill's summary. The company has published a document responding to 'inaccuracies lodged against DJI in the public domain,' but it remains unclear whether its products will be allowed in the United States in the future.

For those outside the US or who are willing to roll the dice, however, the Neo could turn out to be an extremely fun toy. If you get one, just be sure to be very aware of the rules around using a drone wherever you are. It may be small and light enough to take anywhere, but that doesn't mean it should be used everywhere.

Buy now: $199 at Amazon $199 at B&H Press Release DJI Makes Everyday Life Recording Fun and Easy with New Personal, Palm-Sized Videographer

New DJI Neo is light, compact, and makes capturing cinematic photos and videos effortless

DJI, the global leader in civilian drones and innovative camera technology, today announces the DJI Neo, a new personal lightweight and compact aerial videographer for taking cinematic footage of day-to-day adventures or having fun with friends. Weighing less than 5 ounces (135g), Neo can take off and land from the palm of the hand1. It can be flown indoors or outside for a flight time of up to 18 minutes1 and takes 4K ultra-stabilized videos via QuickShots. The propellers are fully enclosed to ensure the safety of users and their surroundings.

"At DJI we are always studying everyday camera use so that we can help people capture their videos and photos in the most convenient way possible. The DJI Neo strives to give people the latest tech in the smallest form factor so that they can capture their daily lives, saved as treasured memories, safely and with ease," said Ferdinand Wolf, Creative Director at DJI.

Into the Air at the Press of a Button

By simply pressing the mode button and selecting the desired shooting mode, Neo will automatically snap 12MP stills with its 1/2-inch image sensor or produce 4K UHD stabilized videos at 4K/30fps1 using DJI's powerful stabilization algorithms. Upon completion, Neo will return to the user's palm.

Tell Your Story with QuickShots

Neo's AI algorithms have been created to keep the subject within frame. Whether cycling, skateboarding or hiking, captivating shots can be created with ease. Additional creativity can be achieved by taking advantage of Neo’s QuickShots, which has six intelligent shooting modes1, offering a range of different recording angles.

Expanse: Videographer flies backward and ascends, with the camera locked on the subject, and records a video.
Circle: Videographer circles around the subject.
Rocket: Videographer ascends with the camera pointing downward.
Spotlight: Videographer rotates while keeping the object of interest within the frame
Helix: Videographer ascends and spirals around the subject.
Boomerang: Videographer flies around the subject in an oval path, ascending as it flies away from its starting point and descending as it flies back. Its starting point forms one end of the oval’s long axis, while the other end is at the subject's opposite side from the starting point.

Control It Your Way

Neo has been designed to fly with style and capture hassle-free photos and videos. It can be piloted using one-button QuickShots or voice control1 which is enabled with the “Hey Fly” command. With a Wi-Fi connection, Neo can also be controlled using the DJI Fly app’s virtual joysticks on the app’s interface with a control range of up to 50 meters1. Within the app, the perspective and distance can be set, giving extra freedom to shoot from afar or up close.

Stabilization as Standard

Neo is equipped with a single-axis mechanical gimbal and is capable of handling high-speeds or flights with lots of maneuvers. When combined with RockSteady or HorizonBalancing stabilization, overall image shake is significantly reduced and horizon tilt is corrected within ±45°1, for smooth and stable footage that maintains clarity in both highlight and shadow areas. Using an infrared and monocular vision positioning system, Neo can hover steadily in the air, maintaining stability even in Level 4 wind conditions. It also supports automatic Return to Home (RTH) for convenient, worry-free operation.

Transfer Content and Record Sound Wirelessly

Using the DJI Fly app, phones and videos captured with Neo can be transferred instantly via high-speed QuickTransfer. This wireless transfer makes post production and sharing smoother. The DJI Fly app offers a vast selection of templates, sound effects, and image effects, for quick and easy editing.

Audio can also easily be recorded wirelessly with the simple tap of a button on the DJI Fly app, either through the smartphone’s built-in microphone or DJI Mic 2 via Bluetooth for even higher audio quality. The app automatically eliminates propeller noise and merges the audio track with the footage, ensuring a clear sound even when shooting low-angle vlogs.

For convenient charging, connect Neo directly to a power source using a Type-C data cable. Additionally, the Two-Way Charging Hub can charge three batteries simultaneously1, increasing both charging speed and efficiency.

Price and Availability

The DJI Neo is available for pre-order from store.dji.com and authorized retail partners, in the following configurations:

DJI Neo: 199 USD

DJI Neo Combo: 289 USD

Neo Debuts at IFA, 6-10 September, 2024

Be among the first to experience the groundbreaking DJI Neo at this year’s IFA, Germany. Visitors can try it out at DJI's booth (Hall 17-110) from 6th-10th September.

DJI Care Refresh

DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for DJI Neo. The replacement service covers accidental damage, including flyaway, collisions and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to four replacements in two years. Other services of DJI Care Refresh include official Warranty and free shipping. For a full list of details, please visit: https://www.dji.com/support/service/djicare-refresh.

1All data was measured using a production model of DJI Neo in a controlled environment.

1For more information, please refer to https://www.dji.com/neo.

When you use DPReview links to buy products, the site may earn a commission. Image: Leica

Leica has announced the new Vario-Elmarit-SL 70-200mm F2.8 ASPH zoom lens, a fast telephoto zoom for L-mount cameras with applications for everything from weddings to sports and wildlife. Alongside the lens, Leica also announced a new tele-extender, the Extender L 2.0x.

The new lens completes Leica's 'Holy Trinity' of fast F2.8 zoom lenses for L-mount, joining the Super-Vario-Elmarit-SL 14-24mm F2.8 ASPH and the Vario-Elmarit-SL 24–70 2.8 ASPH. Put together, the three lenses provide a constant F2.8 maximum aperture from 14-200mm.

The image-stabilized Vario-Elmarit-SL 70-200mm comprises 20 elements in 15 groups, including three aspherical lenses, and features an internal focusing mechanism. It has a close focus distance of 0.65m (2.1ft.) at 70mm and 1m (3.3ft.) at 200mm.

Image: Leica

The lens barrel has all-metal magnesium and aluminum construction, and external lenses feature Leica's Hydrophobe Aqua-Dura coating. It features an 82mm filter thread. The lens includes a tripod clamp and detachable tripod shoe.

Leica says the lens is dust, splash and water protected.

Keen observers may notice that the Vario-Elmarit-SL 70-200mm F2.8 ASPH includes the same number of elements and groups, aspherical lenses, and the same close-focusing distance as the Sigma 70-200mm F2.8 DG DN OS.

Price and availability

The Vario-Elmarit-SL 70-200mm F2.8 ASPH has a list price of $3,295; the Extender L 2.0x lists for $995. Both products are available beginning today.

Leica unveils its final lens in its trio of lens series for the SL-System

New telephoto zoom lens with a focal length of 70–200mm and new 2.0x Extender expands the L-Mount portfolio.

Teaneck, September 5th, 2024. Leica lenses are renowned globally for their exceptional quality, with their legendary imaging performance based on more than 150 years of
expertise in the manufacturing of optical instruments. The same applies to the new Leica Vario-Elmarit-SL 70–200 f/2.8 ASPH.

Being the third zoom lens with an aperture of 2.8, the new Leica Vario-Elmarit-SL 70– 200 f/2.8 ASPH. completes the trio of lens series for the SL-System together with the Leica Super-Vario-Elmarit-SL 14–24 f/2.8 ASPH. and the Leica Vario-Elmarit-SL 24–70 f/2.8 ASPH. This series allows for photographing and filming with a continuous aperture throughout the entire focal length range, from 14mm to 200mm. At the same time, Leica Camera AG introduces another extender for the SL lens portfolio. The Extender L 2.0x expands the creative potential of the SL system, reaching focal lengths up to 800mm.

With its classic telephoto zoom focal length, the new Leica Vario-Elmarit-SL 70–200 f/2.8 ASPH. is ideally suited for impressive portrait shots. Thanks to its high aperture ratio throughout the entire zoom range and its excellent image stabilization, the new Vario lens is equally capable for event, sports and nature photography.

Inside the lens, 20 elements arranged in 15 groups, including three lenses with aspherical surfaces, ensure razor-sharp, detailed images right into the corners of the frame across all focal lengths. Additionally, convenient handling is ensured by the internal focusing mechanism, maintaining its constant size at any focal length.

With the new Extender L 2.0x, which is available separately, the focal length of the telephoto Vario can be extended from 70–200mm to 140–400mm. It occupies minimal space on the go while offering endless creative opportunities.

The retail price for the new Leica Vario-Elmarit-SL 70–200 f/2.8 ASPH. is $3,295.00 USD. The retail price for the Leica Extender L 2.0x is $995.00 USD. Both products are available globally at all Leica Stores, the Leica Online Store and authorized dealers.

Leica Vario-Elmarit-SL 70-200mm F2.8 ASPH specifications Principal specificationsLens typeZoom lensMax Format size35mm FFFocal length70–200 mmImage stabilizationYesLens mountL-MountApertureMaximum apertureF2.8Minimum apertureF22Aperture ringNoOpticsElements20Groups15Special elements / coatings3 asphericalFocusMinimum focus0.65 m (25.59″)Maximum magnification0.19×AutofocusYesFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight1540 g (3.40 lb)Diameter89 mm (3.5″)Length207 mm (8.15″)MaterialsMagnesium and aluminum full-metal constructionZoom methodRotary (internal)Zoom lockNoFilter thread82 mmHood suppliedYesTripod collarYes

When you use DPReview links to buy products, the site may earn a commission. Image: Sigma

Sigma has announced the full-frame 28-105mm F2.8 DG DN Art lens for L-mount and Sony E-Mount cameras. The company says the lens is meant to cover "several popular focal lengths," such as 28mm, 50mm, and 85mm while providing a constant aperture.

The lens is constructed from 18 elements in 13 groups, with two fluorite-like 'F' low dispersion (FLD) elements, one super low dispersion (SLD) element and five aspherical lenses. The front element has a water and oil-repellant coating, and Sigma claims the lens is dust and splash-resistant.

Buy now:

$1499 at B&H Photo$1499 at Adorama

The company is pitching this as a lens for both photographers and videographers. To woo the latter, it says that the 'High-response Linear Actuator' autofocus motor will provide 'noise-free video capability' and emphasizes its 'minimal' focus breathing.

This lens includes a variety of switches and buttons.

Image: Sigma

The L-mount version of this lens weighs 995g (35.1oz), which makes it approximately 34% heavier than Sigma's comparable 24-70 F2.8 for L-mount, which weighs 745g (26.3oz). Whether that'll be worth it to you will likely depend on how often you find yourself wishing for just a little more reach (or how often you shoot at your lens' widest setting).

While shooting a sample gallery for the lens, which you can see below, we found the relatively unusual 28-105mm focal length to be highly versatile for everyday shooting, though we wouldn't be surprised if some shooters were left wanting a bit more on the wide end, given the popularity of the 24mm focal length.

We also appreciated the tactility of the lens. It has an aperture ring, a switch to change that ring between click and clickless mode, and a lockout to keep it in or out of the auto setting. There's also a zoom lock, autofocus/manual focus switch and a pair of AFL buttons.

Sigma claims the lens is "surprisingly compact," at a length of 157.9mm (6.2"), but you can expect it to extend by around 38mm (1.5") when you zoom with it. It's also worth noting that the lens has a 40cm (15.8") minimum focusing distance, which is relatively distant compared to many brands' 24-70 F2.8 lenses. The lens has an 82mm filter size.

The 28-105mm F2.8 DG DN Art will sell for $1,499 when it launches in 'late September.'

Buy now:

$1499 at B&H Photo$1499 at Adorama Sigma 28-105mm F2.8 DG DN sample gallery:

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. Press Release: SIGMA announces 28-105mm F2.8 DG DN | Art lens, a new fast-aperture zoom with extended reach

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-105mm F2.8 DG DN | Art zoom lens for full-frame mirrorless camera systems. Spanning many popular focal lengths in a single fast-aperture zoom, this is an exciting addition to the product line.

The SIGMA 28-105mm F2.8 DG DN | Art is a surprisingly compact, full-frame, wide-angle to telephoto zoom lens with a fast constant aperture. Available for Sony E-mount and L-Mount, this lens covers several popular focal lengths from 28mm to 105mm, including the very popular 85mm focal length for portraiture, remaining at F2.8 through the entire range.

Featuring HLA (High-response Linear Actuator) autofocus, and optical performance that lives up to the standard of Art line lenses, the SIGMA 28-105mm F2.8 DG DN | Art joins SIGMA’s selection of fast-aperture zoom lenses in the Art line, offering photographers and videographers a variety of premium standard zoom options depending on their personal style. Like the 24-70mm F2.8 DG DN II | Art and the 28-45mm F2.8 DG DN | Art, the new 28-105mm F2.8 includes a lockable aperture ring with click/declick function, as well as two AFL buttons and a zoom lock switch. Additionally, the dust- and splash-resistant design and water-and oil-repellant coating on the front element makes it suitable for shooting both stills and video in inclement weather.

A minimum focusing distance of 15.8 inches (40cm) at all focal lengths, and maximum magnification ratio of 1:3.1 at the telephoto end add to the versatility of this new zoom lens. This lens also features a rounded twelve-blade diaphragm, which helps to keep the large-aperture unit as small as possible.

Measures have been taken to minimize changes in optical performance due to differences in zoom and focus positions, including the use of a difficult-to-process large-diameter FLD glass in the first group to suppress aberrations in each group. In addition, the use of 5 aspherical lens elements has enabled the lens to achieve both a wide zoom range of 28mm to 105mm and a large-aperture of F2.8, while reducing its overall size.

By thoroughly reducing the weight of each part, the lens is kept under 2 pounds while achieving both a wide zoom range and an F2.8 aperture. The lens barrel near the mount is made of magnesium rather than aluminum, ensuring rigidity while reducing the weight of these parts alone by two-thirds. The lens will retail for $1,499 and will be available in late September 2024.

Learn more at: https://www.sigmaphoto.com/28-105mm-f2-8-dg-dn-a

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art

SIGMA 28-105mm F2.8 DG DN | Art

Beyond Standard.

• Constant F2.8 aperture across a versatile 28-105mm zoom
• Superb portability thanks to a weight of less than 1kg
• Professional features, fast AF and excellent build quality

Supplied accessories: CASE, LENS HOOD LH878-07, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: September 26, 2024

* Product appearance and specifications are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA28105mmF28Art #SIGMAArt #SIGMAArtZoom #SIGMADGDN

Harness the power of this versatile and portable F2.8 optic with an extended 28-105mm focal range – a standard zoom that goes well beyond standard.

The SIGMA 28-105mm F2.8 DG DN | Art is not just another standard zoom lens. With a powerful wide-angle to medium telephoto focal length and a bright F2.8 aperture throughout, this full-frame mirrorless zoom combines outstanding optical performance, superb build quality and a range of pro-grade features to make it one of the most versatile optics on the market for mirrorless systems.

The lens is built to tackle a huge range of subjects and situations, from expansive low-light landscapes to portraits with big, beautiful bokeh, and thanks to SIGMA's latest optical technology and the use of large diameter elements including FLD, SLD and five aspherical elements, it is able to do so with superb clarity and sharpness. This allows the lens to deliver exceptional versatility without compromising on optical quality. The lens also includes high-speed AF with HLA technology, a rugged dust- and splash-resistant structure, and various functions such as an aperture ring, all packed into a compact and lightweight body weighing less than 1kg, making it an exceptional all-round choice for both stills and video.

[Key Features]

1. Constant F2.8 aperture across a versatile 28-105mm zoom

Many conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the SIGMA 28-105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.

A versatile F2.8 aperture perfect for portraits and low light

With its fast aperture across the whole focal range, the SIGMA 28-105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.

Fill the frame with superb close-up performance

Achieving a minimum focus distance of just 40cm across its entire zoom range, the SIGMA 28-105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.

Superior optical performance across the full zoom and focus range

The SIGMA 28-105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter 66.4mm element that is extremely difficult to produce and only available thanks to SIGMA’s advanced manufacturing technology at its sole production base in Aizu, Japan.

Designed to minimize flare and ghosting

Using advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, SIGMA's Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.

Minimal focus breathing

Vital for filmmakers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.

2. Superb portability thanks to a weight of less than 1kg

Standard zooms should be small and light enough for all-day hand-held shooting, so the SIGMA 28-105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.

Excellent optical performance in a streamlined body

By using five aspherical elements in its optical construction, SIGMA has succeeded in significantly shortening the lens's total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at SIGMA's sole production base in Aizu, Japan.

Smarter design means lower weight

Constant F2.8 zoom lenses can be heavy, but by optimizing the design and materials of each part of the SIGMA 28-105mm F2.8 DG DN | Art, SIGMA has achieved a remarkably light weight of less than 1kg. The use of magnesium-alloy rather than aluminum for the lens barrel around the mount has reduced the weight of these parts alone by two-thirds, while ensuring rigidity.

3. Professional features, fast AF and excellent build quality

In addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the SIGMA 28-105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.

A linear motor HLA for rapid and accurate AF

The lens incorporates a linear motor HLA (High-response Linear Actuator) that delivers a maximum drive speed, ensuring responsive, precise and smooth AF. With its high level of quietness, the motor also provides noise-free video capability.

An aperture ring for improved ergonomics

For quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.

Two AFL buttons* for added customization

Located on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling.

* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.

Zoom lock switch to keep the zoom ring secure

The lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.

Weather-resistant structure for challenging conditions

The lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions.

* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Petal-type hood

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

• Lens construction: 18 elements in 13 groups (2 FLD, 1 SLD, 5 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Only cameras that are compatible with the function are allowed to use this function. Also, the items that can be corrected may vary depending on the camera, or automatic correction may be performed.
  * On a camera that allows selecting ON/OFF for lens aberration correction, set the various aberration corrections to ON (AUTO) from the camera menu.
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water- and Oil-Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (2 locations)
  * Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.
• Focus Mode switch
• Zoom Lock switch (Locks at wide end)
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
  * Only cameras that are compatible with the system are allowed to use the system.
• Dust- and Splash-Resistant Structure
  * The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
• Petal-type hood with lock LH878-07
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA’s proprietary MTF measuring system
• 12-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

Sigma 28-105mm F2.8 DG DN specifications: Principal specificationsLens typeZoom lensMax Format size35mm FFFocal length28–105 mmLens mountL-Mount, Sony EApertureMaximum apertureF2.8Minimum apertureF22Aperture ringYesNumber of diaphragm blades12Aperture notesAperture ring click switch Aperture ring lock switchOpticsElements18Groups13Special elements / coatings2 FLD, 1 SLD, 5 aspherical elementsFocusMinimum focus0.40 m (15.75″)AutofocusYesMotor typeLinear MotorDistance scaleNoDoF scaleNoPhysicalWeight995 g (2.19 lb)Diameter88 mm (3.46″)Length158 mm (6.22″)MaterialsMagnesiumSealingYesColourBlackZoom methodRotary (extending)Power zoomNoZoom lockYesFilter thread82 mmHood suppliedYesHood product codeLH878-07Tripod collarNo

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Sigma 10-18mm F2.8 DC DN (L-mount version pictured)

Image: Sigma

Sigma has formally announced the arrival of its 10-18mm F2.8 DC DN wideangle APS-C lens for Canon's RF mount.

It becomes the second APS-C lens and the second third-party lens that Canon has licensed to be let loose within the RF walled garden. As with Sigma's 18-50mm F2.8 DC DN, it significantly expands the options available to keen photographers looking to get the most out of models such as the R10 and R7.

The 10-18mm offers a field of view roughly equivalent to a 16-29mm lens on full frame, making it a useful wide-to-ultrawide option for Canon shooters who want a brighter aperture than Canon's own compact, $329 RF-S 10-18mm F4.5-6.3 IS.

As with the versions available for other mounts, the 10-18mm comprises 13 elements in 10 groups. This includes three fluorite-like 'F' low dispersion elements, one super low dispersion element and four aspherical lenses. It uses seven rounded diaphragm blades. It accepts 67mm filters.

At 270g (9.5oz) the Canon version is 10g heavier than the L-mount version in our database and 20g heavier than the X-mount variant. It's 72.2mm (2.8") wide and 62mm (2.4") long at its shortest, and extends slightly as you zoom out to the 10mm setting.

Sigma has said its four DC DN F1.4 primes, the 16mm, 23mm 30mm and 56mm lens, are expected to arrive for the RF mount next.

The lens will be available from "late September" 2024 at a recommended price of $659.

Pricing and availability of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount announced

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the pricing and availability of the SIGMA 10-18mm F2.8 DC DN | Contemporary for the Canon EOS R camera system.

Originally announced in October 2023, this lens was first released concurrently for L-Mount, Sony E-mount and Fujifilm X Mount, and is now available for Canon RF Mount. This compact, versatile zoom is a perfect partner for the SIGMA 18-50mm F2.8 DC DN | Contemporary which was released for Canon RF Mount in June 2024. The new lens will be available through authorized retail partners in late September 2024 for a retail price of $659.

This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems*. On the Canon system, the lens covers a 16-28.8mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 16-80mm (35mm equivalent) range with the same bright F2.8 maximum aperture, with a combined weight of under 550g (19.5 oz.)

The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.

The optical design of the lens delivers a short 11.6cm (4.6 in.) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the autofocus system delivers swift, quiet AF during both still and video use.

Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on multiple platforms.

Learn more at: https://www.sigmaphoto.com/10-18mm-f2-8-dc-dn-c

Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*. [ Long-awaited Canon RF Mount addition ]

SIGMA's APS-C size mirrorless dedicated zoom lens, the 10-18mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system even more.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*2. The mount is rubber-sealed to cater for use in a variety of environments.

Mount Conversion Service is available to convert other mounts of SIGMA 10-18mm F2.8 DC DN | Contemporary to Canon RF Mount.

[ Features ] Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities

By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.

Extremely compact and lightweight

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*3, with a length of 62.0mm, a maximum diameter of φ72.2mm, and a weight of 270g*4. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.

Ideal for landscapes, travel, video and online content creation

With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA.
*2 Available on supported cameras only.
*3 As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.
*4 The values are for Canon RF Mount.

Sigma 10-18mm F2.8 DC DN specifications Principal specificationsLens typeZoom lensMax Format sizeAPS-C / DXFocal length10–18 mmImage stabilizationNoLens mountCanon RF, Fujifilm X, L-Mount, Sony EApertureMaximum apertureF2.8Minimum apertureF22Aperture ringNoNumber of diaphragm blades7OpticsElements13Groups10Special elements / coatings3 FLD, 1 SLD, 4 AsphericalFocusMinimum focus0.12 m (4.57″)Maximum magnification0.25×AutofocusYesMotor typeStepper motorFull time manualNoFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight260 g (0.57 lb)Diameter72 mm (2.83″)Length62 mm (2.44″)Zoom methodRotary (extending)Power zoomNoZoom lockNoFilter thread67 mmHood suppliedYesHood product codeLH706-02Tripod collarNo

When you use DPReview links to buy products, the site may earn a commission. Image: Ricoh

Ricoh has announced a new flash unit that it will sell under the Pentax brand. Dubbed the AF180FG auto flash, it fits the hotshoes of Pentax DSLRs and Ricoh's GR-series of compact cameras. You can select between TTL auto modes with first-curtain or second-curtain sync, as well as full manual mode with either full- or 1/4-level discharge. It has a Guide Number of 18m at ISO 100.

The company is marketing the AF180FG as a 'rugged' flash, stating that it has 18 seals which make it 'dustproof' and 'weather-resistant.' As with the existing AF201FG, the head has 10 angle adjustments; it can be set to -10, 0, 30, 45, 60, 75, 90, 105, 120, and 135 degrees. It cannot be rotated to the side.

Ricoh says the flash has a built-in wide-angle panel that you can manually pull out to cover a 20mm angle of view for full-frame cameras (13mm APS-C models such as the Pentax K3 III or GR III). Without the panel, it'll cover a 24mm angle for full-frame/16mm for APS-C.

The flash runs off of two AAAs. Ricoh says you can expect approximately 100 shots with a 6-second recycle time if you're using alkaline batteries and around 130 shots with a 5-second recycle time with nickel-metal hydride batteries.

We've asked Ricoh what the difference is between this and the existing AF201FG, other than the lower Guide Number, and were told "That’s the only real difference – the new AF180FG flash shares the same compact size and functionality as the AF201FG flash."

The flash will go on sale in 'mid-September,' and will have an MSRP of $199.95.

Press Release Ricoh Imaging announces rugged PENTAX AF180FG compact auto flash, compatible with PENTAX DSLRs and RICOH GR Series cameras

New flash unit features dustproof, weather-resistant construction and simplified operation

PARSIPPANY, NJ, September 4, 2024 — Ricoh Imaging Americas Corporation today announced the PENTAX AF180FG auto flash. Compatible with both PENTAX DSLRs and RICOH GR Series digital cameras, this compact, portable flash has a maximum guide number of 18 at ISO 100/m. Designed with outdoor shooting in mind, it features 18 seals in crucial parts of the body, including the hotshoe, making it a highly dependable dustproof, weather-resistant accessory. When paired with a dustproof, weather-resistant DSLR camera body and lens, it assures solid performance, even in harsh outdoor conditions such as rain, mist and dust.

The AF180FG features bounce-flash functionality with a flash head that can be adjusted vertically to 10 different angles, up to 135°, to soften shadows and create more natural, true-to-life portraiture. Its simplified operating system lets the user start using the flash instantly by turning the discharge mode dial, which also functions as the ON/OFF switch. In addition to the OFF position, this dial provides a choice of four discharge modes: P-TTL auto flash with leading-curtain synchronization and P-TTL auto flash with trailing-curtain synchronization – in both settings, the flash’s preliminary emission is detected by the camera’s light sensor to accurately control the main discharge level for proper exposure; and manual flash with full discharge and manual flash with 1/4-level discharge.

The AF180FG also incorporates a built-in wide-angle panel that slides out to cover a 20mm angle of view (in 35mm format).

| Pricing and Availability |

The AF180FG will be available mid-September at www.us.ricoh-imaging.com as well as at Ricoh Imaging-authorized retail outlets nationwide for a manufacturer’s suggested retail price of $199.95.

For further information, please visit www.us.ricoh-imaging.com

| Main Features |

1. Compact body, with dependable dustproof, weather-resistant design for outdoor shooting

This auto flash unit has a compact, well-balanced body ideal for use with PENTAX and RICOH digital cameras compatible with P-TTL, which includes PENTAX DSLRs and the RICOH GR series cameras. Thanks to 18 seals applied in crucial parts of the body including the hotshoe, it features a highly dependable dustproof, weather-resistant construction. When paired with a dustproof, weather-resistant DSLR camera body and lens, it assures solid performance, even in harsh outdoor conditions such as rain and dust.

2. Bounce flash function up to a 135-degree tilt angle

The flash head can be adjusted vertically to 10 different angles (-10, 0, 30, 45, 60, 75, 90, 105, 120 and 135 degrees) for bounce-flash operation. By bouncing the flash discharge off the ceiling or wall during indoor shooting, the user can soften the subject’s shadow to create more natural, true-to-life portraiture.

3. Simplified, dial-access operation

This flash unit features a simplified operating system that lets the user start flash photography instantly by turning the discharge mode dial, which also functions as the ON/OFF switch. In addition to the OFF position, this dial provides a choice of four discharge modes: P-TTL auto flash with leading-curtain synchronization and P-TTL auto flash with trailing-curtain synchronization, in both of which the flash’s preliminary emission is detected by the camera’s light sensor to accurately control the main discharge level for proper exposure; and manual flash with full discharge and manual flash with 1/4-level discharge.

Specifications GeneralPower output / Guide numberISO 100 18, ISO 200 25Coverage3–25 mmBounce tilt135.00°Bounce tilt - notesStops for -10, 0, 30, 45, 60, 75, 90, 105, 120 and 135 degreesMinimum number of flashes (with AA alkaline batteries)100Recycle time (with alkaline batteries)6 secPower sourceAAADimensions2.6 x 2.9 x 1.2″ (66 x 74 x 30 mm)Weight5.00 oz (142 g)

Image: GoPro

GoPro has announced its newest action camera, the Hero13 Black. In addition to new in-camera features, the Hero13 Black also supports a variety of accessory lenses, including an anamorphic lens, ND filters, and new mounting accessories.

The Hero13 Black retains the features found on earlier models, including GoPro's impressive HyperSmooth image stabilization technology for video and 5.3K/60p video capture. However, the new accessory lenses will likely grab most of the attention as they bring a new level of flexibility to GoPro cameras.

Buy now:

Buy at GoPro Buy at B&H Photo Buy at Adorama

GoPro's new HB-series of lenses for the Hero13 Black include ultra-wide, macro, and anamorphic lenses and an ND 4-pack.

Image: GoPro

GoPro has announced three new HB-series lenses (which we assume stands for 'Hero Black') and a 4-pack of ND filters. The lenses and filters are automatically detected when attached to the camera, which GoPro says will provide optimal settings based on the lens type and environment. The lenses are waterproof and scratch-resistant.

The Ultra Wide Lens Mod captures an ultra-wide 177° field of view in a 1:1 aspect ratio, providing more freedom to crop video for horizontal or vertical video use. This lens also supports 360° Horizon Lock at up to 4K/60p, ensuring that the horizon in your video stays level even if the camera rotates.

The Macro Lens Mod makes it possible to focus on objects 4x closer than the standard GoPro lens, and a variable focus ring allows you to manually focus to a close focus distance of 11cm (4.3").

The Ultra Wide Lens Mod captures a wide 177º field of view in a 1:1 aspect ratio for later cropping.

Image: GoPro

The Anamorphic Lens Mod captures a wide-angle perspective in a 21:9 aspect ratio, similar to CinemaScope. Go Pro says it can also add cinematic lens flare to footage. The Hero13 Black supports in-camera de-squeezing, allowing users to capture, review and edit anamorphic footage without additional steps in post-processing.

The ND-Filter 4-pack includes four ND filters (ND4, ND8, ND16, ND32) that are automatically detected by the camera. When attached, the camera switches to Auto Cinematic video mode and attempts to choose the best settings for the shooting environment.

In addition to accessory lenses, there are some notable upgrades to the camera itself. The Hero13 Black includes a 13x Burst Slo-Mo mode that supports 720/400p or 5.3K/120p capture. It also includes what GoPro describes as "professional-level" Hybrid Log Gamma (HLG) video, which uses the broadcast-standard 10-bit Rec.2100 color space to deliver a wider color gamut.

GPS + Performance stickers track speed, path, terrain, altitude and g-force and can help with geotagging in third-party media management apps.

Image: GoPro

The camera also includes customizable audio tuning, allowing users to select between balanced, "true-to-life" sound or a voice setting that improves vocal clarity. GPS + Performance Stickers track speed, path, terrain, altitude and g-force and can help with geotagging in third-party media management apps.

The Hero13 Black uses a new 1900mAh battery. According to GoPro, it combines a 10% increase in capacity with improved power efficiency to deliver longer runtimes, including 1.5 hours of continuous recording in 5K/30p or 4K/30p modes and over 2.5 hours at 1080/30p. The camera also includes faster Wi-Fi 6 technology for 40% faster data transfer with compatible devices.

In addition to internal changes, a new Snap and Go magnetic latch mounting system joins the existing built-in mounting fingers and 1/4"-20 tripod thread, providing a third way to mount the Hero13 Black.

Alongside the new camera, GoPro announced new accessories, including the Contacto Magnetic Door and Power Cable kit, a power extension that magnetically attaches to a specially designed door and provides an easy, weatherproof way to power the camera from an external source. New Magnetic Latch and Ball Joint mounts provide a quick way to move the camera between mounts and are compatible with all existing GoPro mounts.

The Contacto Magnetic Door and Power Cable kit provides a weatherproof way to power the camera from an external source.

Image: GoPro

Compact Hero camera

Finally, in addition to the Hero13 Black, GoPro announced a second camera, branded simply as the Hero, which is described as the "Smallest, lightest, simplest to use and lowest cost 4K camera ever with a screen." It weighs just 86g (3oz.), 46% lighter than the Hero13 Black and 35% less volume.

The Hero is GoPro's smallest 4K camera with a built-in screen.

Image: GoPro

The Hero uses a touchscreen and single button design and can capture up to 4K/30p or 2.7K/60p video and 12MP photos. It includes GoPro's HyperSmooth image stabilization technology for smooth video and is waterproof to 5m (16ft.) According to GoPro, it will run for up to 100 minutes on a single charge.

Price and availability

The Hero13 Black is available in different configurations, including camera-only ($399), the Hero13 Black Creator Edition, which includes a Volta Power Grip, Media Mod and Light Mod ($599), as well as activity-optimized bundles at GoPro's website. It's available for pre-order now and is expected to ship and be available in retail stores on September 10.

The Ultra Wide Lens Mod ($99), Macro Lens Mod ($129) and ND filter 4-pack ($69) are available for pre-order now. Like the Hero13 Black camera, they will be available on September 10. The Anamorphic Lens Mod ($129) will be available sometime in 2025.

The Contacto Magnetic Door and Power Cable kit ($79), Magnetic Latch ($25) and Ball Joint mount ($40) are also available for pre-order now.

The compact Hero camera ($199) is available for pre-order today and is expected to ship on September 22.

Buy now:

Buy at GoPro Buy at B&H Photo Buy at Adorama

Image: Google

Picture this: you just bought a Google Pixel 9 Pro and have been shooting pictures with it all day. Because you're a photographer, one of the first things you did was turn on Raw + JPEG, so you'd have as much editing latitude as possible. You sit down at your computer, navigate to the Google Photos site, select all the photos you just took, hit download, and...

... discover that you now have a folder full of JPEGs without a Raw in sight. It turns out that there's no easy way to bulk download JPEG + Raw pairs from Google Photos; instead, you have to go to each picture individually, click the triple dot menu button, then hit "Download all 2 photos." Repeat that process for 40 photos, and you'll have 40 zip files that you'll then have to uncompress to finally get your JPEG and DNG files.

�Using Google Photos to get Raw files shot on a Google phone is a massive pain

In other words, getting the Raw files you shot with your Google phone out of Google Photos is a massive pain – something we discovered as we were shooting galleries for the new Pixel 9 phones. The difficulty bulk downloading Raw files took us by surprise, because we remembered it being so much easier with previous iterations of the phone.

To be clear, it's not that we're just fools who can't find an obvious button; Google Photos' management of Raws is a common complaint on forums like Reddit and Google Community. Google's own AI told us that bulk downloading wasn't possible. (To make sure it wasn't missing something or hallucinating, we also looked at the support documentation the old-fashioned way and found it mum on the subject of Raw downloads.)

Google Gemini essentially told me to look elsewhere. Also, PicBackMan has 1.8 stars on TrustPilot.

If you happen to be using Windows, you can get around this by plugging your phone into your computer with a USB cable and then using Windows Explorer to access the files and copy them to your computer. With macOS, it's a lot harder. If you can get Apple's Image Capture app to recognize the Pixel (and that's a big 'if' based on our testing), you can use it to get the Raws onto your computer. However, you'll have to navigate through a massive list of photos you likely didn't even know were on your phone and that don't seem to be in any discernible order. Oh, and your deleted photos will show up there, too, alongside MP3s and other mysterious file types such as DB-WAL, DB-SHM, and EXOs.

Pictured: Apple's Image Capture struggling with the Pixel 9's file structure. Not pictured: a good photo management experience.

There are almost certainly workarounds to this problem. You could use a different service to sync your pictures, such as Dropbox or Lightroom, if you pay for those. You could set up an automation on your phone to move the Raws from Google Photos to Google Drive, where you can bulk download them or even automatically sync them with your computer. And, because the Pixel runs Android, there are probably dozens of GitHub projects meant to solve this exact issue.

However, I'd argue that it's ridiculous that you need a workaround in the first place. (And yes, I'm counting having to physically plug your phone into a computer as a ridiculous workaround because it's 2024, not 2004.) You should be able to download your Raws from Google Photos without having to go one-by-one, especially since the problem stems from using Google's own photography-centric phone.

Apple handles Raw files shot on its phones much better than Google does

What makes the whole situation more annoying is that, to my genuine shock, Apple handles Raw files shot on its phones much better than Google does. Getting at them on a Mac is obvious; if you're syncing your photos with iCloud, they'll automatically be added to the Photos app.

Unbelievably, getting your iCloud photos on Windows is almost as easy. The iCloud for Windows app will automatically sync your photos – including Raws – to your computer. If you're using someone else's computer and can't install an app, you can go to the iCloud Photos website and batch-download them from there. In other words, Apple's system works exactly how I expected Google's to.

Apple Photos can sync straight to Windows Photos, Raws and all.

That's not to say that Apple's system is perfect. If you use Apple Photos to back up Raws from other cameras, it's very difficult to get them from a Windows machine. But while someone has probably had to deal with that scenario at some point, it's a substantially more niche use case than just trying to offload Raws you took on your phone. (And that in itself is already a niche workflow.) And if you don't use iCloud Photos, you will be left reaching for a cable or using AirDrop. But the point still stands that Apple's photo system handles Raws with far more grace than Google's

Hopefully, that fact is a wake-up call to Google. In theory, this problem could be entirely solved by the addition of a 'Download Raws' button that's available when you have multiple images selected in Google Photos. Until then, anyone who wants to shoot Raw on their Pixel should know that they're setting themselves up to jump through some hoops if they ever want to get those Raws on a computer.

On a completely unrelated note, check out our Pixel 9 Pro or Pixel 9 Pro Fold sample galleries to see how Google's newest smartphone cameras stack up.

Peak Design is back with its latest crowdfunding campaign to launch its new Outdoor Line of packs and bags explicitly aimed at outdoor enthusiasts and adventure photographers. According to Peak Design's Founder and CEO, Peter Dering, "Peak Design has been synonymous with 'outdoor photography,' yet we still haven't created true outdoor bags... until now."

The Outdoor Line's headline products are the Outdoor Backpack, available in 45L and 25L sizes, and the Outdoor Sling, available in 7L and 2L sizes.

Peak Design's Outdoor Backpack comes in two sizes: 25L and 45L.

Images: Peak Design

According to Peak Design, the Outdoor Backpack is built around a unique harness system inspired by running vests, which distributes weight over a greater surface area and uses low-profile shoulder and waist straps for improved comfort and reduced bulk. The shoulder straps feature built-in storage for easy access to small items and dual camera-carry attachment points. The exterior includes Peak's Design's Cord Hook system for attaching accessories and Flex Pockets for gear like water bottles and tripods.

The Outdoor Backpack can be accessed through what Peak Design calls an "Ultra Cinch" hatch, which combines a rolltop-like design found on a dry bag with a quick-cinch drawstring for quick opening and closing. There's also a large rear access panel for easy access to the pack's interior. When not in use, the hip belt can be rotated and stored behind the back pad to keep it out of the way.

The Outdoor Pack also includes three built-in attachment points for its Capture camera clip, one on each shouder strap and one on the hip belt. The 45L version of the pack weighs 1.6kg (4 lbs) and the 25L version weighs 1.2kg (2.5 lbs)

Image: Peak Design

The Outdoor Sling can be worn as a cross-body sling-type bag or as a waist pack, thanks to a removable, padded strap. The larger 7L model includes external gear loops to attach a Peak Design X-Small Camera Cube. Both models can be mounted on the shoulder straps of one of the new Outdoor Packs to create a chest-mounted storage system.

The Outdoor Sling is available in two sizes: 7L and 2L.

Image: Peak Design

Peak Design says its new bags are designed for compatibility with its Camera Cubes and Ultralight Packing Cubes, allowing users to customize their packs based on their specific needs.

The Outdoor Sling can be worn as a shoulder sling or waist pack.

Image: Peak Design

The Outdoor Line is being launched through a Kickstarter campaign, which runs until October 15, and customers who make Kickstarter pledges will receive discounts between 20-25% off expected retail pricing. This includes the 25L Outdoor Pack for $199 (MSRP: $250), the 45L Outdoor Pack for $265 (MSRP: $330), the 7L Outdoor Sling for $72 (MSRP: $90), and the 2L Outdoor Sling for $48 (MSPR: $60).

Products are expected to ship to Kickstarter backers in January 2025 and become available through Peak Design's website and other retail channels in November 2024.

Pledging to a crowdfunding campaign is different from ordering a product online, and risk is always involved. However, Peak Design has established a solid record of using such campaigns to launch new products, with 12 such crowdfunding campaigns under its belt.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

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Google's Pixel 9 Pro Fold is Google's latest foldable smartphone and the first from the company to bear the 'Pro' branding. However, it doesn't have the same camera system as the Pixel 9 or 9 Pro phones, which were launched alongside it.

Unlike the regular Pixel 9 Pro, the Pixel 9 Pro Fold has a screen on the front, but can be opened to reveal a 20cm (8in) display.

We shot a sample gallery with it to see how it performs, which you can view below. Alongside the regular photography, we also tried out some Fold-specific features, and one of Google's new AI features. Our thoughts on those are below the gallery.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

One of Google's headlining AI features for the Pixel 9 series is called 'Add Me,' and it's meant to solve the problem where group photos are always missing the photographer. To use 'Add Me,' you select the mode in the camera app and then ask the group you're taking a photo of to leave a space for you. After you take a picture, you get someone from the group to take the next shot, this time with you there instead of them.

The person now holding the phone will be asked to align the shot with the shot you took and press the shutter again. The Pixel 9 Pro Fold will combine those two images, digitally adding you to the group.

AI altered image: the person on the left was added to the group. Created using the 'Add Me' feature on the Pixel Pro 9 Fold.

However, both people we asked to use the feature found it confusing. Some of our test shots didn't turn out because they were taken while we explained how to use the feature. The UI shouldn't be too difficult for someone who's technically-savvy to figure out, but it is complicated enough that you probably won't be able to hand this phone to a parent or grandparent and expect a good group photo.

The 'Add Me' feature is available on all the Pixel 9s, but the Fold has an additional, simpler way to do group photos. You can unfold the phone into an L shape, set it down on a surface that's roughly level with the group, then start a self-timer and join the group.

This picture was made possible by the Pixel Pro 9 Fold's 'tabletop mode.'

While this is also possible with regular phones, you'll have to find something to lean them on; that's not something you have to worry about with the Fold. You will, however, want to be careful where you use this feature. While in this mode, it's resting on the front screen, and it'd be a bummer to pick up your phone and realize the screen's been scratched.

Another benefit of the Fold is that you can see the cameras and the front screen at the same time when it's open, which unlocks a few different features. For one, you can take selfies with the rear cameras, which should give you much better results. You can also display the camera preview on both screens, so the person you're taking a picture of can see how they'll look and adjust accordingly – though it is worth noting that this mode currently doesn't work in portrait mode, which is arguably where it'd be most useful.

Google has also built a twist on that mode called 'Made You Look.' If you're photographing children, you can have the phone display some smiling, animated cartoon features on the front display to try and hold their attention.

View our Pixel 9 Pro Fold sample gallery

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