August 2014

Nikon D2hs

Nikon D810 field test–Why I’m planning to buy my review unit

For the past few weeks I’ve been shooting with a in a variety of situations. I wasn’t enough of a fan of the D800 to purchase one, so I didn’t expect to want to purchase my review either. However, Nikon has done enough to improve the camera that it is now a winner for me, and this one will likely be staying right here in my camera bag. Here’s why…


Alaskan Bears: One safari, one camera, one lens: Life with the new Nikon 80-400mm AF-S VR Lens

Every July I return to Alaska to photograph the amazing Coastal Brown (aka “Grizzly”) Bears. Over the course of 15 years I’ve used over a dozen different cameras, and at least that many lenses to capture images. Typically at least one of my lenses would be a massive telephoto (400mm f/2.8 or 200-400 f/4, or 120-300 f/2.8). This year, as part of my ongoing effort to identify lighter, less expensive alternatives to large and extremely expensive lenses, I decided to shoot for the entire two safaris with “just” a attached to my Nikon D610. My hope was to see whether this new, sub-$3K lens could do a good job of subbing for larger, more expensive alteratives….


ArtRage 4.5: Solid Upgrade for top-notch painting program

While having a good painting program isn’t a requirement for most photographers, it can come in handy for sketching out ideas for the “bones” of an image (thanks to John-Paul Caponigro for effectively demonstrating that point to me originally). My favorite when I’m on Windows (or Mac) is ArtRage. The company has just released a solid update to version 4.5. I’ve been using the beta for awhile now and have been quite pleased with the new features…


Who needs artsy filters when you have Raw converters?

I’m in the process of comparing the latest versions of various Raw file converters, and as part of that I’ve been rendering the same image in multiple pieces of software and comparing the results. Stay tuned for the scientific version where I use actual color targets and math, but in the meantime, I’ve been trying to get a feel for the differences by eye. However, I found something I didn’t expect…


Nikon D810 architectural Moire Test

One of the advances Nikon has made with the is the complete removal of the low-pass (aka anti-aliasing) filter. The Nikon D800e achieved a similar effect by adding a second filter layer to undo the effects of the anti-aliasing filter, but the move to eliminate it completely in the D810 goes a step further. The concern, of course, is the potential for increased moire, or color interference patterns, in small details. To test out the for moire in landscapes, I chose the Milwaukee skyline…


Nikon 200mm f/2/0 lens

Nikon 80-200 f/2.8D AF-S