Nikon 28-300mm Lens: The Ultimate All-in-One Lens for Full-frame Shooters?

Nikon 28-300mm Lens: The Ultimate All-in-One Lens for Full-frame Shooters?

Any Nikon shooter who has switched back to full frame cameras from the popular DX size sensor is likely to tell you how much they miss the excellent and convenient Nikon 18-200mm “all-in-one” zoom that until now has been the ultimate vacation and travel lens. Good enough for simple pro projects but small, flexible and convenient enough to be the only lens for many amateur and entry level “prosumer” photographers with DX size sensors. But what about for full frame shooters? Does the 28-300 fit the bill? Read on to find out…

The Facts

Feature for feature the is a nearly exact analog for full frame of the for the DX format. The focal lengths are effectively the same, the apertures are almost identical and both feature VR image stabilization and AF-S for fast and quiet focusing. The excellent 20 inch Minimum Focusing Distance of the 18-200 which makes it suitable for casual macro shoots is even slightly improved to 18” on the 28-300.

Of course support for the larger sensors comes at a cost in size, weight and well, cost. The 28-300 is almost 40% heavier at 28 ounces versus 20 ounces, and about 15% larger at 4.5” long by 3.3” wide versus 3.75” long by 3” wide. And it sells for about $1050 instead of $750.

Both lenses feature very quick focusing for super-zooms using Nikon's Silent Wave Motors (SWM), earning them the AF-S badge. And they have excellent Vibration Reduction which allows plenty of flexibility in how and when you go about shooting. Like most modern Nikon lenses, these are "G" lenses which no longer have a manual aperture ring relying instead on camera controls for focusing.

The close minimum focus distance (MFD) of the new Nikon 28-300mm Lens makes close-up images like this one simple.

But obviously the choice will seldom be between these two lenses directly. If you have decided to move to full frame and want to keep the convenience of a super-zoom you really don’t have a choice—at least in Nikon brand lenses. Your only option is the . Fortunately as I found out after shooting with one for awhile, it is a really excellent solution to the problem.

Image Quality

Side by side the 28-300 holds up excellently when images are compared to ones taken with the . As a harder test I shot the 28-300 on a D700 versus the pro on a D300 (yielding the same effective focal length) while covering some tennis matches. Below you can see an example shot from each. If you didn’t know which was which it wouldn’t be easy to tell the difference.

The image on the left was taken with a Nikon D300 and Nikon 70-200 f/2.8 AF-S zoomed in while the one on the right was captured with a and the reviewed . Click on the image to see a slightly larger version.

Speed and Convenience

Like the the is quick to focus because of its Silent Wave Motors (SWM). It can’t match a true pure-bred action lens like the excellent 70-200mm f/2.8 AF-S Lens for either pure speed or ease of zooming—and the way the lens changes shape will bother some folks—but for what it does it works very well. It was easy to photograph a lively tennis match with the lens for example. Of course you also give up the ability to absolutely isolate the subject like you can with an f/2.8 lens, but remember that buying a and the will set you back nearly $4,000 and put a real dent in your shoulder compared to the relatively tiny 28-300mm lens which covers that whole range as a single lens costing just over $1K.

It was great to be able to move from telephoto to wide-angle when photographing this vineyard all with a single lens.

Should You Buy the Nikon 28-300mm Lens?

As a bottom line, if you are looking for the convenience you had with the 18-200 and you miss it on full frame you should run out and buy one as soon as you can. .

If you are a pro hoping to simplify and replace multiple f/2.8 pro lenses with a single lens, you’ll be making some serious compromises in features and a tiny bit in sharpness. But if you are looking for a companion lens as a backup or as a travel lens for when you need to pack light, you’ll love this little beauty.

If you only shoot DX sensors, there really isn’t any reason to spend the additional money to buy the larger, heavier and you might was well stick with the .

Whatever you decide, let us know in our forums how it works out.—David