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Image: Canon

Canon has announced the Selphy QX20, a new entry in its lineup of portable printers. Like its predecessor, it can print pictures onto square 6.86cm x 6.86cm (2.7") paper, but the new generation adds the ability to print 5.3cm x 8.6cm (2.1" x 3.4") 'card size' images. It also gains the ability print without boarders on three sides.

Currently, the square paper sells for $14.99 for a 20-pack. 20 pieces of the card size paper will cost the same, but it'll also be available in a 60-pack for $40.99. The Selphy QX20 can connect to Android and iOS devices over Wi-Fi, using Canon's Selphy Photo Layout app.

Image: Canon

Charging the QX20 should be a much nicer experience compared to the QX10. While the old model featured a micro USB plug and took around 120 minutes to charge, Canon says the QX20 can charge in around 80 minutes via the near-universal USB-C. It will print slightly faster as well; according to the company it'll take around 40 seconds per page, versus 43 seconds for the old model.

One downgrade from the previous model is that, in the US, the QX20 will only come in two colors: grey and white. The QX10 was available in four: black, white, pink, and green. International buyers for the QX20 will also have the option to get it in red, but that's still one fewer color than the QX10.

The Selphy QX20 will be available in October and will retail for $149.99.

Buy now:

$149 at Canon$149 at B&H Photo

iPhone 16 and 16 Pro Q&A

This week, Apple announced its new lineup of iPhones with the 16, 16 Plus, 16 Pro, and 16 Pro Max. The phones feature a smattering of new camera tech, along with a new button to control it all.

When we asked on Instagram if people had any questions about the new phones, there was a flood of responses. Thankfully, Gear Patrol's Tucker Bowe was on the scene in Cupertino, and has been able to gather some hands-on impressions, which should help us provide some answers.

Does the camera button actually improve the photo taking experience?

With the new iPhones, Apple introduced its 'Camera Control' button, which you can press to launch the camera. Once in the camera app, you can press the button to change a picture, and swipe across it to adjust parameters like zoom, which lens you're using, photographic style, and more. The button also features haptic feedback, and Apple says Pro phone users will be able to half press it to lock exposure and focus in the future, similar to how the shutter button on most dedicated cameras work.

With that said, we'll have to do further testing further to determine whether it actually makes much of a difference it'll make in the real world. In theory it should, but we'll see.

Aside from battery is there any difference between the 16 Pro and the 16 Pro Max?

Last year, the 5x pentaprism lens was exclusive to the larger of the pro phones. This year, however, Apple has brought it down to the regular Pro as well, which means the cameras on them appear to be identical.

Obviously, the Pro Max has a larger body and screen, but from a photography perspective there's no pressing reason to go with the Max if you prefer a smaller phone.

Do the new iPhones feel a lot bigger in the hands? Can you feel the difference from the 15 Pro Max?

The iPhone 16 Pro and 16 Pro Max feature larger screens than their predecessors, which comes with larger and heavier bodies.

Tucker, who has handled the phones, said: To be honest, all iPhones are pretty big these days. The iPhone 16 and iPhone 16 Plus are basically the exact same size as their iPhone 15 counterparts. But both Pros do slightly bigger screens than last year's models. It's not a night-and-day difference, but when you hold an iPhone 15 Pro and iPhone 16 Pro (or 15 Pro Max and 16 Pro Max) side by side, you can definitely see the difference.

Does it have manual camera controls?

In short, no, not really. You can manually control "depth" (i.e., F-stop) using the Camera Control button, but if you want to adjust shutter speed and ISO you'll need to download a third-party app. The camera app does include a few new tricks, though, such as the ability to adjust the playback speed of slow-motion footage.

Has the macro lens' focusing improved?

Apple has upgraded the sensor for the iPhone 16 Pro's ultrawide camera, which is the one used for macro. However, the company didn't mention any improved autofocus performance with the resolution.

The focusing should be much improved on the regular iPhone 16 versus the 15, as the ultrawide camera now supports autofocus, in addition to having a faster aperture. The camera also appears to have a larger sensor, though we'll likely need to get a bit more information before we can confirm its actual size.

Finally...

iPhone 16 Pro versus Pixel 9 Pro?

Stay tuned...

Image: MiNT Camera

MiNT Camera, a company specializing in instant cameras and accessories, has announced that it is accepting pre-orders for its new film camera, the Rollei 35AF. The company announced its plans to develop a film camera two years ago, with regular progress updates on its blog. It recently announced that it would begin accepting pre-orders on September 10.

Update: The company has announced that pre-orders will close on September 12, 2024, at 3:00 am GMT.

The Rollei 35AF is based on the classic Rollei 35 series of compact film cameras, first introduced at Photokina in 1966. At its introduction, it was the smallest 35mm film camera available, and over two million were made.

The Rollei 35AF is built around a fixed 35mm F2.8 lens with a 5-element design, an aperture range of F2.8-16, and a close focusing distance of 70cm (28"). Original Rollei 35 models typically had 40mm F2.8 or F3.5 Zeiss lenses. As its name implies, the Rollei 35AF also includes autofocus (using LiDAR), as opposed to manual (zone) focus on the originals.

Writing about the lens in a blog post, MiNT Camera described the philosophy behind the design, saying, "What we tried to achieve with this lens is to recreate a slightly nostalgic 1980-90s feel. It's a combination of balancing the contrast, sharpness, and color rendition to evoke that classic aesthetic, while still delivering modern performance."

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. Images: MiNT Camera

It also addressed its reasons for not using the original Rollei 35 lens design, stating, "The back focus is too long, it wasn't designed for autofocus, and the closest focusing distance is too long."

The camera includes an optical viewfinder with 0.5x magnification and 90% coverage, an OLED display for the film counter, film speed selection and a battery indicator. It has both manual and auto-exposure modes, with auto modes supporting ±2 stops of exposure compensation. Shutter speed ranges from 1/500 sec to 60 sec, and the camera has a 10-second timer.

Other features include a film speed selector, which the company says doubles as a control for exposure compensation, a DX code reader with an ISO range of 25-3200, manual film advance and rewind, and a flash rated for a range of 3.5m (11.5ft.) at F2.8. It includes a tripod mount. The camera uses a CR2 lithium battery.

Price and availability

The Rollei 35AF is available in either chrome or black and includes a two-year warranty. The chrome model costs $799, and the black model costs $828. According to the company, deliveries are expected to start later this year, and orders will be fulfilled chronologically according to the waitlist.

If the experience of owning and shooting a Rollei 35 is high on your list, you might also consider buying an original on the used market, though depending on what model you're looking at and the condition, it might cost as much (or more) than the modern version.

Pre-order now:

Chrome: $799 Black: $828

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The XCD 20-35mm F3.2-4.5 E is Hasselblad's first ultra-wide zoom lens, providing a 16-27mm equivalent field of view in full-frame terms. Hasselblad suggests it's a great lens for cityscapes and landscapes, so we did just that, taking the lens on a walking tour of the US capital, Washington, DC, as well as a few landscapes in the high desert of central Oregon.

One note about processing: Our standard protocol for lens galleries is to process all photos from Raw files using Capture One Pro. However, Capture One is unable to process the Raw files from the 100MP Hasselblad X2D camera we used. As a result, this gallery was processed with Adobe Camera Raw.

View our Hasselblad XCD 20-35mm F3.2-4.5 E sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

When you use DPReview links to buy products, the site may earn a commission. Image: Hasselblad

Hasselblad has announced the XCD 20-35mm F3.2-4.5 E, equivalent to 16-27mm in full-frame terms. It's the company's first ultra-wide zoom lens, and Hasselblad says it should deliver the same level of image quality as its XCD prime lenses.

Formally branded the XCD 3,2-4,5/20-35E, it's also the first lens in the company's new XCD E series. According to Hasselblad, 'E' stands for Excellence and represents the top level of optical performance in the XCD series.

The new lens has the widest field of view and the largest aperture in Hasselblad's medium format system. Optically, the internally focusing lens is comprised of 16 elements in 12 groups, and includes three aspherical elements. It has a minimum focus distance of 0.32m (13") and maintains its widest f3.2 aperture all the way to 24mm.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. Images: Hasselblad

The lens is housed in an all-metal ring with a matching metal lens hood and features a focus and control (aperture) ring. Its leaf shutter supports flash sync speeds of up to 1/2000 sec., and autofocus is driven by a stepper motor for quiet movement. Physically, the lens is 117mm (4.6") long with a diameter of 81mm (3.2") and weighs 805g (1.8lbs). It has a 77m filter thread.

The XCD 3,2-4,5/20-35E has a suggested retail price of $5,929 in the US and €6,729 in Europe.

Hasselblad XCD 20-35mm F3.2-4.5 E specifications Principal specificationsLens typeZoom lensMax Format sizeMedium Format (645)Focal length20–35 mmImage stabilizationNoLens mountHasselblad XApertureMaximum apertureF3.2–4.5Minimum apertureF32Aperture ringNoOpticsElements16Groups12Special elements / coatings3 aspherical elementsFocusMinimum focus0.32 m (12.6″)Maximum magnification0.16×Full time manualUnknownFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight805 g (1.77 lb)Diameter81 mm (3.19″)Length117 mm (4.61″)MaterialsMetalZoom methodRotary (internal)Filter thread77 mmHood suppliedYesTripod collarNo

When you use DPReview links to buy products, the site may earn a commission. Image: Nikon

Nikon has announced the Nikkor Z 50mm F1.4, a fast, normal prime lens for Z-mount cameras that covers the classic 50mm focal length.

The new lens is a virtual twin to the Nikkor Z 35mm F1.4 prime that Nikon announced just three months ago in June. The two lenses share the exact same dimensions, at 87mm (3.4") long by 75mm (3") diameter, and the new lens weighs in at 420g (14.8oz.), just 1% heavier than its 35mm sibling.

Notably, the new lens is slightly less expensive than Nikon's own 50mm F1.8 S prime, which is part of Nikon's premium 'S' series of lenses. It was suggested to us that the non-S lens prioritizes character over clinical sharpness.

The Nikkor Z 50mm F1.4 mounted on a Nikon Z6 III

Image: Nikon

Optically, the lens comprises 10 elements in 7 groups, including one aspherical element, and has a 9-bladed aperture. This makes it optically simpler than the F1.8 S lens and it lacks that Nano Crystal Coatings of the premium model. It has a minimum focus distance of 0.37m (14.5") and a maximum magnification ratio of 0.17x.

Other features include a manual focus ring and a customizable control ring, which the 'S' model lacks. According to Nikon, the lens should be well-suited to video work thanks to a smooth, twin STM motors, suppressed focus breathing and the clickless control ring. Nikon describes the lens as designed to be drip and dust-resistant.

The Nikkor Z 50mm F1.4 has a suggested retail price of $499 and will be available beginning in late September.

Buy now:

Buy at B&H PhotoBuy at Adorama

Press release:

The Nikkor Z 50mm F1.4 is Nikon's Latest Affordable and Fast Prime Lens for the Nikon Z System

Classically Captivating Focal Length and Large f/1.4 Aperture is the Simple Formula for Breathtaking Creativity

MELVILLE, NY (September 10, 2024) Today, Nikon Inc. announced the NIKKOR Z 50mm f/1.4, a lightweight prime lens with a wide and bright f/1.4 aperture. This affordable lens is compact enough to take anywhere, while offering a versatile and classic focal length that’s ideal for portraits, landscapes, street snaps, travel, still life and more.

“The NIKKOR Z 50mm f/1.4 is a modern take on a classic lens design, giving creators the benefits of the latest imaging technology and optical innovations at a very appealing price,” said Fumiko Kawabata, Sr. Vice President, Nikon Inc. “With the recently released NIKKOR Z 35mm f/1.4, photographers and videographers now have access to a great pair of fast, affordable primes that will help them to take their creativity further."

The large f/1.4 aperture of this lens affords users the ability to create images and video with three-dimensional emphasis and naturally soft backgrounds that draw the viewers’ attention to a subject.

The NIKKOR Z 50mm f/1.4 lens features a compact, comfortable and lightweight design, measuring approximately 2.9 in x 3.4 in (74.5 × 86.5 mm) and weighing only 14.8 oz (420 g). The lens is engineered with a premium feel and superb handling, featuring a dedicated focus ring and customizable control ring.

Additional Features of the NIKKOR Z 50mm f/1.4

• Close minimum focus distance lets users get as near as 14.5 in (0.37 m) from the subject, which is great for flowers, still life and food photography.
• Nine-blade diaphragm helps to create a natural, circular bokeh for a pleasing out of focus area.
• Focus breathing is effectively suppressed to minimize the shift of the angle of view when adjusting the focus.
• Near Silent operation for video production, with a click-less control ring and near silent lens drive thanks to the use of STM motors.
• Weather Sealed and designed with careful consideration for dust- and drip-resistant performance*.

Price and Availability

The new NIKKOR Z 50mm f/1.4 will be available in late September 2024 for a suggested retail price of $499.95** For more information about the latest Nikon products, including the extensive lineup of NIKKOR Z lenses and the entire range of Z series cameras, please visit Nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

*Thorough dust and moisture-resistance is not guaranteed in all situations.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Buy now:

Buy at B&H PhotoBuy at Adorama Nikon Nikkor Z 50mm F1.4 specifications Principal specificationsLens typePrime lensMax Format size35mm FFFocal length50 mmImage stabilizationNoLens mountNikon ZApertureMaximum apertureF1.4Minimum apertureF16Aperture ringNoNumber of diaphragm blades9Aperture notesRounded diaphragm openingOpticsElements10Groups7Special elements / coatings1 Aspherical ElementFocusMinimum focus0.37 m (14.57″)Maximum magnification0.17×AutofocusYesMotor typeStepper motorFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight420 g (0.93 lb)Diameter75 mm (2.95″)Length87 mm (3.43″)Filter thread62 mmHood suppliedYesTripod collarNo

Image: Apple

Apple has announced the iPhone 16 Pro and 16 Pro Max, which include a dedicated 'Camera Control' button, the A18 Pro system-on-a-chip, and larger displays. The 16 Pro has a 16cm (6.3in) screen, and the Pro Max's screen is 17.5cm (6.9in).

The company says the 16 Pro includes a new '48MP Fusion Camera' with a 'second generation quad-pixel sensor.' According to Apple, it has a two-times faster readout than the previous version, allowing for 'no shutter lag.' The Pro Max's 5x lens has also come to the regular iPhone 16 Pro, replacing the 3x camera that was on the previous generation.

The iPhone 16 Pro's main camera has a faster sensor readout, according to Apple.

Image: Apple

The 16 Pro's ultra wide camera now also has a 48MP sensor, up from 12MP on the previous generation, and the company has updated its 'Photo Styles' feature, offering more control over color. You're also able to change the style after capturing the image; they used to be baked-in.

Video has also received an update: you can now shoot 4K video at 120 frames-per-second when using the main camera. 120fps will also be available while shooting with the ProRes and Log features when recording to external storage. Apple has added a new interface to the Photos app that allows you to change the playback speed of high frame rate footage.

You can adjust the playback speed of 120fps footage on-device.

Image: Apple

The company says the 16 Pro includes four 'studio-quality' microphones, that will provide a lower noise floor for videos shot on the iPhone. They can also capture 'spatial audio,' which you can mix using the phone. According to Apple, you'll have the option to to focus the sound on the subject in the frame, isolate subjects' voices, and more.

Apple also announced the 15.5cm (6.1in) iPhone 16 and 17cm (6.7in) iPhone 16 Plus. The phones get the 'Camera Control' button, as well as the 'Action' button that was exclusive to the iPhone 15 Pro in the previous generation. The phones also feature a new A18 processor, which the company says has a 30% faster CPU and 40% faster GPU than the chip found in the regular iPhone 15.

The iPhone 16's camera bump is smaller than the previous generation's.

Image: Apple

Earlier in the presentation, Apple CEO Tim Cook called the phones "the first iPhones designed from the ground up for Apple Intelligence and its breakthrough capabilities."

The company says the 'Camera Control' button allows you to control various features in the camera app. Pressing it will open the camera, and pressing it again will take a picture. You can also press and hold it while in the app to take a video. The button is touch sensitive, letting you slide your finger across it to change zoom level, depth of field, and more.

Lightly double-tapping the Camera Control will let you choose which variable to adjust.

Image: Apple

The button also has haptic feedback, which the company says "emulates the feel of a DSLR camera shutter." Later this year, on the Pro models, it will have a 'two-stage' action that will lock focus and exposure, similar to a half-press of the shutter button on most dedicated cameras.

Apple says the button will also provide 'instant access' to Apple Intelligence features. According to the company, pressing and holding the 'Camera Control' will bring up an interface that lets you perform a search using 'Visual Intelligence.' You can point it at an object, and the phone will bring up information about what's in frame. It can also be connected to third parties, getting information about what the camera is pointed at from services like ChatGPT.

The iPhone 16's ultrawide camera has been upgraded, and now includes autofocus. The company says it can capture '2.6x' more light, thanks to a wider aperture. It also now allows users to capture 'Macro' photos using the ultra wide camera, a feature that was previously limited to the Pro models. The main camera appears to be very similar to the previous model, though now features an anti-reflective lens coating.

The iPhone 15's ultrawide camera had a F2.4 lens.

Image: Apple

The iPhone 16's new design also features what appears to be a smaller camera bump than the previous generation, as the wide and ultrawide cameras are in line vertically, rather than being at a diagonal. Apple says the phone can now capture spatial videos and photos, using both cameras. While spatial video was available on the iPhone 15 Pro, the company says spatial photos are 'a first' for iPhone.

The regular 16 gains the updated photographic styles announced with the 16 Pro.

Apple's updated photographic styles.

Image: Apple

The iPhone 16 will start at $799 for a model with 128GB of storage, and $899 for the Plus model, also with 128GB of storage. The 16 Pro will start at $999 for a 128GB model, and $1,199 for a 256GB version.

iPhone 16 Pro press release Apple debuts iPhone 16 Pro and iPhone 16 Pro Max

Powered by the A18 Pro chip and built for Apple Intelligence, the Pro lineup introduces larger display sizes, Camera Control, innovative pro camera features, and a huge leap in battery life

CUPERTINO, CALIFORNIA – Apple today introduced iPhone 16 Pro and iPhone 16 Pro Max, featuring Apple Intelligence, larger display sizes, new creative capabilities with innovative pro camera features, stunning graphics for immersive gaming, and more — all powered by the A18 Pro chip. With Apple Intelligence, powerful Apple-built generative models come to iPhone in the easy-to-use personal intelligence system that understands personal context to deliver intelligence that is helpful and relevant while protecting user privacy. Camera Control unlocks a fast, intuitive way to tap into visual intelligence and easily interact with the advanced camera system. Featuring a new 48MP Fusion camera with a faster quad-pixel sensor that enables 4K120 fps video recording in Dolby Vision, these new Pro models achieve the highest resolution and frame-rate combination ever available on iPhone. Additional advancements include a new 48MP Ultra Wide camera for higher-resolution photography, including macro; a 5x Telephoto camera on both Pro models; and studio-quality mics to record more true-to-life audio. The durable titanium design is strong yet lightweight, with larger display sizes, the thinnest borders on any Apple product, and a huge leap in battery life — with iPhone 16 Pro Max offering the best battery life on iPhone ever.

iPhone 16 Pro and iPhone 16 Pro Max will be available in four stunning finishes: black titanium, natural titanium, white titanium, and desert titanium. Pre-orders begin Friday, September 13, with availability beginning Friday, September 20.

“Powered by the faster, more efficient A18 Pro chip and built for Apple Intelligence, iPhone 16 Pro and iPhone 16 Pro Max are the most advanced iPhone models we’ve ever made,” said Greg Joswiak, Apple’s senior vice president of Worldwide Marketing. “Customers who are looking for the best possible iPhone will be able to take advantage of this huge step forward, whether they’re applying edits to a photo without lifting a finger, rewriting meeting notes for a more professional tone, or using the advanced camera system to capture their next masterpiece in 4K120 fps in Dolby Vision — all while enjoying extraordinary battery life.”

Built for Apple Intelligence

Apple Intelligence on the iPhone 16 lineup harnesses the power of Apple silicon and Apple-built generative models to understand and create language and images, take action across apps, and draw from personal context to simplify and accelerate everyday tasks. Apple Intelligence maintains the privacy and security of user data with Private Cloud Compute. This groundbreaking approach provides the ability to flex and scale computational capacity between on-device processing and larger, server-based models that run on dedicated Apple silicon servers — an extraordinary step forward for privacy in artificial intelligence. Apple Intelligence will be available as a free software update, with the first set of features rolling out next month in U.S. English for most regions around the world.

With systemwide Writing Tools, users can adjust notes or emails to be more friendly, more concise, or add a more professional tone to their writing; check for grammar, word choice, and sentence structure; and summarize selected text to make it more digestible. In the Notes and Phone apps, users can also record, transcribe, and summarize audio. When a recording is initiated while on a call in the Phone app, participants are automatically notified, and once the call ends, Apple Intelligence generates a summary to recall key points.

Apple Intelligence helps users prioritize with summarized notifications, along with Priority Messages in Mail, a feature that understands the content of emails and surfaces time-sensitive messages. Across a user’s inbox, summaries convey the most important information of each email instead of previewing the first few lines.

Siri becomes more deeply integrated into the system experience and gets a brand-new design with an elegant glowing light that wraps around the edge of the screen when active. With richer language-understanding capabilities, communicating with Siri is more natural and flexible. Siri follows along when users stumble over their words, and maintains context from one request to the next. Users can type to Siri at any time, and switch fluidly between text and voice as they accelerate everyday tasks. Siri also now has extensive product knowledge to answer thousands of questions about features on iPhone and other Apple devices.

Additional Apple Intelligence features will roll out later this year and in the months following, including Image Playground, which allows users to create playful images in moments. Emoji will be taken to an entirely new level with the ability to create original Genmoji by simply typing a description, or by selecting a photo of a friend or family member. Siri will be able to draw on a user’s personal context to deliver intelligence that is tailored to them. It will also gain onscreen awareness to understand and take action with users’ content, as well as take hundreds of new actions in and across Apple and third-party apps. And while using iOS 18 features like Siri and Writing Tools, users will be able to easily access ChatGPT from OpenAI.

An Incredibly Light and Durable Design with Larger Displays

The new Pro lineup features the thinnest borders of any Apple product and introduces larger display sizes: 6.3 inches on iPhone 16 Pro and 6.9 inches on iPhone 16 Pro Max — the largest iPhone display ever.1 The stunning Super Retina XDR displays with Always-On and ProMotion technologies help users accomplish more. Both models offer industry-leading durability with a strong, lightweight titanium design, as well as the latest-generation Ceramic Shield, which has an advanced formulation that is 2x tougher than glass on any other smartphone. The new mechanical architecture improves heat dissipation and efficiency for up to 20 percent better sustained performance. Along with the new internal design and advanced power management of iOS 18, larger batteries are optimized to offer a huge leap in battery life.

Introducing Camera Control

Camera Control — a result of thoughtful hardware and software integration — makes the pro camera system more versatile with an innovative new way to quickly launch the camera, take a photo, and start video recording. It has a tactile switch that powers the click experience, a high-precision force sensor that enables the light press gesture, and a capacitive sensor that allows for touch interactions. A new camera preview helps users frame the shot and adjust other control options — such as zoom, exposure, or depth of field — to compose a stunning photo or video by sliding their finger on the Camera Control. Later this fall, Camera Control will be updated with a two-stage shutter to automatically lock focus and exposure on a subject with a light press, letting users reframe the shot without losing focus. Additionally, developers will be able to bring Camera Control to third-party apps such as Kino, which will offer users the ability to adjust white balance and set focus points, including at various levels of depth in their scene.

Later this year, Camera Control will unlock visual intelligence to help users learn about objects and places faster than ever before. Users can click and hold Camera Control to pull up the hours or ratings for a restaurant they pass, add an event from a flyer to their calendar, quickly identify a dog by breed, and more. Camera Control will also serve as a gateway into third-party tools with specific domain expertise, like when users want to search on Google to find where they can buy an item, or to benefit from ChatGPT’s problem-solving skills. Users are in control of when third-party tools are used and what information is shared.

New Pro Creativity Across Photo, Video, and Audio

With iPhone 16 Pro and iPhone 16 Pro Max, the world’s favorite camera gets even more powerful. Powered by A18 Pro, the upgraded camera system introduces a new 48MP Fusion camera with a faster, more efficient quad-pixel sensor and Apple Camera Interface, unlocking 4K120 fps video recording in Dolby Vision — the highest resolution and frame-rate combination ever available on iPhone, and a smartphone first. The quad-pixel sensor can read data 2x faster, enabling zero shutter lag for 48MP ProRAW or HEIF photos. A new 48MP Ultra Wide camera also features a quad-pixel sensor with autofocus, so users can take higher-resolution 48MP ProRAW and HEIF images when capturing uniquely framed, wider-angle shots or getting close to their subjects with macro photography. The powerful 5x Telephoto camera now comes on both iPhone 16 Pro and iPhone 16 Pro Max, allowing users to catch the action from farther away, no matter which model they choose. iPhone 16 Pro and iPhone 16 Pro Max now take spatial photos in addition to videos to help users relive memories with remarkable depth on Apple Vision Pro.

Users can capture 4K120 fps in Slo-mo or Video mode, and adjust the playback speed after capture in the Photos app, including a quarter-speed playback, a new half-speed option for a dreamy effect, and a fifth-speed option that corresponds to 24 fps. When coupled with the new image signal processor (ISP) of A18 Pro, users can do frame-by-frame cinema-quality color grading for 4K120 fps in Dolby Vision. Users can also capture 4K120 fps ProRes and Log directly to an external storage device for efficient pro workflows.

Both Pro models feature four new studio-quality mics that preserve true-to-life recorded sounds, and video can now be captured in Spatial Audio for immersive listening with AirPods, Apple Vision Pro, or a surround sound system. The iPhone 16 Pro lineup also introduces creative new ways to edit video sound with Audio Mix — allowing users to adjust their sound after capture to focus on the voice of the person on camera, make it sound like the video was recorded inside a professional studio, or position vocal tracks in the front and environmental noises in surround sound. With wind noise reduction, powerful machine learning (ML) algorithms reduce unwanted noise for better audio quality.

Next-generation Photographic Styles help users express their creativity and customize their photos by locally adjusting color, highlights, and shadows in real time. Styles also have a deeper understanding of skin undertones, so users can personalize how they appear in photos. Unlike filters, which often use a one-size-fits-all approach by adding a color to an entire scene, adjustments are applied to specific colors of a selected style. A wider set of styles offers more creative options for editing a photo’s aesthetic, and styles can be further personalized with an easy-to-use new control pad and intensity slider for simultaneous adjustments across tone and color. These adjustments can be rendered during live preview, applied after a photo is taken, or even reversed later.

Apple Intelligence takes the pro camera system to a new level. Coming later, Siri will be able to complete in-app requests and take action across apps, like pulling up a specific shot from a user’s Photos library and then applying an edit to the image in Darkroom. Siri can also help users fully utilize the wide range of photo and editing capabilities, such as asking how to adjust the blur in the background of a photo.

Industry-Leading Performance and Power Efficiency

The new A18 Pro chip is designed with industry-leading compute power to propel Apple Intelligence, ushering in a new era of pro performance. Built with second-generation 3-nanometer technology and featuring a new architecture with smaller, faster transistors, A18 Pro delivers unprecedented efficiency. The new 16-core Neural Engine is faster and more efficient than the previous generation, powering remarkable on-device performance for Apple Intelligence. A 17 percent increase in total system memory bandwidth — the highest ever in iPhone — enables faster experiences when using Writing Tools and Image Playground, and helps deliver astounding graphics. The bandwidth increase also benefits the 6-core GPU, which is up to 20 percent faster than the previous generation, driving graphics rendering for Apple Intelligence and stunning visuals for gaming. Hardware-accelerated ray tracing gets up to 2x faster for even more realistic light sources and reflections, and Game Mode in iOS 18 unlocks more consistent frame rates while making AirPods, game controllers, and other wireless accessories incredibly responsive. A new 6-core CPU is the fastest in a smartphone, with two performance cores and four efficiency cores that can run the same workload as the previous generation 15 percent faster while using 20 percent less power. Next-generation ML accelerators are optimized for Apple Intelligence, and save power by handling high-efficiency, high-throughput, and low-latency computations on the CPU without engaging the Neural Engine.

A18 Pro enables Always-On and ProMotion technologies for an exceptional viewing experience on iPhone, as well as faster USB 3 speeds and ProRes video recording. A new ISP and video encoder process 2x the amount of data for faster video encoding and pro workflows.

Expanded Safety and Communication Capabilities

The iPhone 16 Pro lineup features innovative ways to stay connected and provides enhanced safety capabilities for peace of mind. Powered by the same groundbreaking technology as Emergency SOS via satellite, users are able to connect to the nearest satellite to send and receive texts, emoji, and Tapbacks over iMessage and SMS while outside cellular and Wi-Fi coverage.2 Messages via satellite in iOS 18 are end-to-end encrypted. Also new with iOS 18, Emergency SOS Live Video allows users to share a live video feed or photos with participating emergency dispatchers during an emergency call.3 Later this fall, Roadside Assistance via satellite — which connects users to a roadside assistance provider if they have car trouble while off the grid — expands beyond the U.S. to the U.K.

Better for the Environment

iPhone 16 Pro and iPhone 16 Pro Max are designed with the environment in mind. As part of Apple 2030, the company’s ambitious goal to be carbon neutral across its entire carbon footprint by the end of this decade, Apple is prioritizing renewable electricity in manufacturing, and investing in wind and solar projects around the world to address the electricity used to charge all Apple products, including the iPhone 16 lineup. Today, all Apple facilities run on 100 percent renewable electricity — including the data centers that power Apple Intelligence.

To achieve Apple 2030, the company is also designing products with recycled and renewable materials. iPhone 16 Pro and iPhone 16 Pro Max feature more than 25 percent recycled content overall, including 100 percent recycled aluminum in the internal structural frame and 80 percent or more recycled steel across multiple components. The battery is made with 100 percent recycled cobalt and — in a first for iPhone — over 95 percent recycled lithium.4 The iPhone 16 Pro lineup also meets Apple’s high standards for energy efficiency, and is free of mercury and PVC. The packaging is entirely fiber-based, bringing Apple closer to its goal of removing plastic from its packaging by next year.

Pricing and Availability

• iPhone 16 Pro and iPhone 16 Pro Max will be available in black titanium, natural titanium, white titanium, and desert titanium, in 128GB, 256GB, 512GB, and 1TB storage capacities. iPhone 16 Pro starts at $999 (U.S.) or $41.62 (U.S.) per month, and iPhone 16 Pro Max starts at $1,199 (U.S.) or $49.95 (U.S.) per month.5
• Apple offers great ways to save and upgrade to the latest iPhone. Customers can get $180 (U.S.) to $650 (U.S.) in credit when they trade in iPhone 12 or higher, or up to $1,000 (U.S.) in credits to put toward an iPhone 16 Pro with a carrier offer. Customers can take advantage of these offers by visiting the Apple Store online or an Apple Store location. For carrier offer eligibility requirements and more details, see apple.com/shop/buy-iphone/carrier-offers. To see what their device is worth and for trade-in terms and conditions, customers can visit apple.com/shop/trade-in.
• Customers in more than 58 countries and regions, including Australia, Canada, China, France, Germany, India, Japan, Malaysia, Mexico, South Korea, Türkiye, the UAE, the U.K., and the U.S., will be able to pre-order iPhone 16 Pro and iPhone 16 Pro Max beginning at 5 a.m. PDT this Friday, September 13, with availability beginning Friday, September 20.
• iPhone 16 Pro and iPhone 16 Pro Max will be available in Macao, Vietnam, and 19 other countries and regions beginning Friday, September 27.
• iOS 18 will be available as a free software update on Monday, September 16.
• Apple Intelligence will be available as a free software update. The first set of Apple Intelligence features will be available in beta next month as part of iOS 18.1, iPadOS 18.1, and macOS Sequoia 15.1, with more features rolling out in the months to come. It will be available on iPhone 16, iPhone 16 Plus, iPhone 16 Pro, iPhone 16 Pro Max, iPhone 15 Pro, iPhone 15 Pro Max, and iPad and Mac with M1 and later, with device and Siri language set to U.S. English. Additional languages and platforms are coming over the course of the next year. Later this year, Apple Intelligence will add support for localized English in Australia, Canada, New Zealand, South Africa, and the U.K. In the coming year, Apple Intelligence will expand to more languages, including Chinese, French, Japanese, and Spanish.
• In addition to an iPhone 16 Pro and iPhone 16 Pro Max Clear Case, available for $49 (U.S.), a Silicone Case with MagSafe will be available for $49 (U.S.) in black, denim, fuchsia, lake green, plum, star fruit, stone gray, and ultramarine. Apple cases for the iPhone 16 lineup work seamlessly with Camera Control, featuring a sapphire crystal coupled to a conductive layer that communicates finger movements to the Camera Control. FineWoven Wallet with MagSafe will be available for $59 (U.S.) in black, blackberry, dark green, and deep blue.
• A new MagSafe Charger enables faster wireless charging up to 25W, is Qi2 certified, and is available in a 1-meter length for $39 (U.S.) or a 2-meter length for $49 (U.S.).
• AppleCare+ for iPhone provides unparalleled service and support. This includes unlimited incidents of accidental damage, battery service coverage, and 24/7 support from the people who know iPhone best.
• iCloud+ plans start at 50GB for $0.99 (U.S.) per month and offer up to 12TB for $59.99 (U.S.) per month, providing additional storage to keep files, photos, videos, and more safe in the cloud, accessible across devices, and easy to share with others. iCloud+ also gives access to premium features, including Private Relay, Hide My Email, Custom Email Domains, and HomeKit Secure Video support.
• Customers who purchase iPhone 16 Pro and iPhone 16 Pro Max will receive three free months of Apple Music, Apple Arcade, and Apple Fitness+ with a new subscription.

1. The display has rounded corners that follow a beautiful curved design, and these corners are within a standard rectangle. When measured as a standard rectangular shape, the screen is 6.27 inches (iPhone 16 Pro) or 6.85 inches (iPhone 16 Pro Max) diagonally. Actual viewable area is less.

2. Apple’s satellite features are included for free for two years starting at the time of activation of a new iPhone 14 or later. For Emergency SOS via satellite availability, visit support.apple.com/en-us/HT213426. Messages via satellite will be available in the U.S. and Canada in iOS 18. SMS availability will depend on carrier. Carrier fees may apply. Users should check with their carrier for details. Roadside Assistance via satellite is currently available in the U.S. with AAA and Verizon Roadside Assistance, and is launching in the U.K. with Green Flag this fall. Participating roadside assistance providers may charge for services, and iPhone users who are not members can take advantage of their roadside assistance services on a pay-per-use basis. Apple’s satellite services were designed for use in open spaces with a clear line of sight to the sky. Performance may be impacted by obstructions such as trees or surrounding buildings.

3. Emergency SOS Live Video will be available in the U.S. in iOS 18.

4. All cobalt and lithium references are on a mass balance allocation.

5. 128GB storage capacity is available on iPhone 16 Pro.

iPhone 16 press release Apple introduces iPhone 16 and iPhone 16 Plus

Built for Apple Intelligence with the all-new A18 chip, both models feature Camera Control, powerful upgrades to the advanced camera system, the Action button to quickly access useful features, and a big boost in battery life

CUPERTINO, CALIFORNIA – Apple today announced iPhone 16 and iPhone 16 Plus, built for Apple Intelligence, the easy-to-use personal intelligence system that understands personal context to deliver intelligence that is helpful and relevant while protecting user privacy. The iPhone 16 lineup also introduces Camera Control, which brings new ways to capture memories, and will help users quickly access visual intelligence to learn about objects or places around them faster than ever before. The powerful camera system features a 48MP Fusion camera with a 2x Telephoto option, giving users two cameras in one, while a new Ultra Wide camera enables macro photography. Next-generation Photographic Styles help users personalize their images, and spatial photo and video capture allows users to relive life’s precious memories with remarkable depth on Apple Vision Pro. The new A18 chip delivers a huge leap in performance and efficiency, enabling demanding AAA games, as well as a big boost in battery life.

iPhone 16 and iPhone 16 Plus will be available in five bold colors: black, white, pink, teal, and ultramarine. Pre-orders begin Friday, September 13, with availability beginning Friday, September 20.

“iPhone 16 and iPhone 16 Plus mark the beginning of a new era for iPhone with Apple Intelligence delivering powerful, personal, and private experiences to our users,” said Kaiann Drance, Apple’s vice president of Worldwide iPhone Product Marketing. “With new ways to discover the world around you and capture memories using Camera Control; a 48MP Fusion camera that gives you two optical-quality cameras in one; a big boost in battery life; and powerful, efficient performance thanks to the A18 chip, this is the perfect time for customers to upgrade or make the switch to iPhone.”

Built for Apple Intelligence

Apple Intelligence on the iPhone 16 lineup harnesses the power of Apple silicon and Apple-built generative models to understand and create language and images, take action across apps, and draw from personal context to simplify and accelerate everyday tasks. Apple Intelligence maintains the privacy and security of user data with Private Cloud Compute. This groundbreaking approach provides the ability to flex and scale computational capacity between on-device processing and larger, server-based models that run on dedicated Apple silicon servers — an extraordinary step forward for privacy in artificial intelligence. Apple Intelligence will be available as a free software update, with the first set of features rolling out next month in U.S. English for most regions around the world.

Apple Intelligence unlocks new ways for users to enhance their writing. With systemwide Writing Tools built into iOS 18, users can rewrite, proofread, and summarize text nearly everywhere they write, including Mail, Notes, Pages, and third-party apps. In the Notes and Phone apps, users can also record, transcribe, and summarize audio. When a recording is initiated while on a call in the Phone app, participants are automatically notified, and once the call ends, Apple Intelligence generates a summary to recall key points.

Apple Intelligence helps users prioritize with summarized notifications, along with Priority Messages in Mail, a feature that understands the content of emails and surfaces time-sensitive messages. Across a user’s inbox, summaries convey the most important information of each email instead of previewing the first few lines.

Siri becomes more deeply integrated into the system experience and gets a brand-new design with an elegant glowing light that wraps around the edge of the screen when active. With richer language-understanding capabilities, communicating with Siri is more natural and flexible. Siri follows along when users stumble over their words, and maintains context from one request to the next. Users can type to Siri at any time, and switch fluidly between text and voice as they accelerate everyday tasks. Siri also now has extensive product knowledge to answer thousands of questions about features on iPhone and other Apple devices.

Additional Apple Intelligence features will roll out later this year and in the months following, including Image Playground, which allows users to create playful images in moments. Emoji will be taken to an entirely new level with the ability to create original Genmoji by simply typing a description, or by selecting a photo of a friend or family member. Siri will be able to draw on a user’s personal context to deliver intelligence that is tailored to them. It will also gain onscreen awareness to understand and take action with users’ content, as well as take hundreds of new actions in and across Apple and third-party apps. And while using iOS 18 features like Siri and Writing Tools, users will also be able to easily access ChatGPT from OpenAI.

A Beautiful New Design with Industry-Leading Durability

iPhone 16 and iPhone 16 Plus are beautiful and built to last. iPhone holds its value longer than any other smartphone thanks to its industry-leading durability, including the strong back glass, a water- and dust-resistant design, regular software updates, and the latest-generation Ceramic Shield with an advanced formulation that is 50 percent tougher than the first generation and 2x tougher than glass on any other smartphone.1 The internal design of iPhone 16 and iPhone 16 Plus has been reengineered to allow for an even larger battery and to better dissipate heat, while making battery service easier. With the new internal design and advanced power management of iOS 18, the batteries are optimized to offer a big boost in battery life. Available in 6.1-inch and 6.7-inch display sizes, the Super Retina XDR display with OLED technology and the Dynamic Island offers an exceptional viewing experience.2

The Action button comes to iPhone 16 and iPhone 16 Plus, allowing users to easily access a variety of functions with just a press. Users can quickly open the camera, flashlight, or controls; switch between Ring and Silent; recognize music with Shazam; activate Voice Memos, Focus, Translate, and accessibility features like Magnifier; or use Shortcuts for more options. The Action button can also access in-app functionality, like helping a user unlock and lock their car with FordPass.3

Introducing Camera Control

Camera Control — a result of thoughtful hardware and software integration — elevates the camera experience on the iPhone 16 lineup. It is packed with innovation, including a tactile switch that powers the click experience, a high-precision force sensor that enables the light press gesture, and a capacitive sensor that allows for touch interactions. Camera Control can quickly launch the camera, take a photo, and start video recording so users don’t miss the moment. A new camera preview helps users frame the shot and adjust other control options — such as zoom, exposure, or depth of field — to compose a stunning photo or video by sliding their finger on the Camera Control. Additionally, developers will be able to bring Camera Control to third-party apps such as Snapchat.

Later this year, Camera Control will unlock visual intelligence to help users learn about objects and places faster than ever before. Users can click and hold Camera Control to pull up the hours or ratings for a restaurant they pass, add an event from a flyer to their calendar, quickly identify a dog by breed, and more. Camera Control will also serve as a gateway into third-party tools with specific domain expertise, like when users want to search on Google to find where they can buy an item, or to benefit from ChatGPT’s problem-solving skills. Users are in control of when third-party tools are used and what information is shared.

New Camera Experiences

The powerful new camera system helps users capture both everyday moments and cherished memories like never before. The 48MP Fusion camera enables a 2x optical-quality Telephoto option, which is like having two cameras in one, so users can get closer to the subject to easily frame a photo. In addition to wider-angle shots, the new 12MP Ultra Wide camera with autofocus enables macro photography. The Ultra Wide camera also gathers up to 2.6x more light for higher image quality. Additionally, iPhone 16 and iPhone 16 Plus now take spatial photos and videos to help users relive memories with remarkable depth on Apple Vision Pro.

Next-generation Photographic Styles help users express their creativity and customize their photos by locally adjusting color, highlights, and shadows in real time. Styles also have a deeper understanding of skin undertones, so users can personalize how they appear in photos. Unlike filters, which often use a one-size-fits-all approach by adding a color to an entire scene, adjustments are applied to specific colors of a selected style. A wider set of styles offers more creative options for editing a photo’s aesthetic, and styles can be rendered during live preview, applied after a photo is taken, or even reversed later.

Video can now be captured in Spatial Audio for immersive listening with AirPods, Apple Vision Pro, or a surround sound system. Both iPhone models introduce creative new ways to edit video sound with Audio Mix — allowing users to adjust their sound after capture to focus on the voice of the person on camera, make it sound like the video was recorded inside a professional studio, or position vocal tracks in the front and environmental noises in surround sound. With wind noise reduction, powerful machine learning (ML) algorithms reduce unwanted noise for better audio quality.

Powered by Apple Intelligence, users can search for specific photos in the Photos app using natural language, and search for specific moments in video clips. Additionally, the new Clean Up tool can identify and remove distracting objects in the background of a photo without altering the subject.

A18: Next-Level Performance and Mobile Gaming

A18 delivers a huge leap in performance and power efficiency, and is built on second-generation 3-nanometer technology to further accelerate Apple Intelligence. An upgraded 16-core Neural Engine is optimized for large generative models and runs ML models up to 2x faster than the A16 Bionic chip.

The 6-core CPU is 30 percent faster than the A16 Bionic chip and faster than all the competition. It is also more power efficient and can run the same workload with 30 percent less power than A16 Bionic. The 5-core GPU is up to 40 percent faster and 35 percent more efficient than A16 Bionic to power stunning graphics performance for Apple Intelligence, and puts a powerful gaming device in users’ pockets. Now with hardware-accelerated ray tracing, games on iPhone 16 and iPhone 16 Plus more accurately represent the behavior of light with up to 5x higher frame rates than with software-based ray tracing. Both models support the AAA games previously only available on iPhone 15 Pro, as well as new titles like Honor of Kings: World with an ultra graphics mode optimized for the iPhone 16 lineup, coming next year. Game Mode in iOS 18 delivers more consistent frame rates while making AirPods, game controllers, and other wireless accessories incredibly responsive. The efficiency of A18 and the device’s rearchitected internal design deliver up to 30 percent higher sustained performance for gaming while ensuring Apple Intelligence runs efficiently on iPhone.

Expanded Communication and Safety Capabilities

The iPhone 16 lineup features innovative ways to stay connected and provides enhanced safety capabilities for peace of mind. Powered by the same groundbreaking technology as Emergency SOS via satellite, users are able to connect to the nearest satellite to send and receive texts, emoji, and Tapbacks over iMessage and SMS while outside of cellular and Wi-Fi coverage.4 Messages via satellite in iOS 18 are end-to-end encrypted. Also new with iOS 18, Emergency SOS Live Video allows users to share a live video feed or photos with participating emergency dispatchers during an emergency call.5 Later this fall, Roadside Assistance via satellite — which connects users to a roadside assistance provider if they have car trouble while off the grid — expands beyond the U.S. to the U.K.

Better for the Environment

iPhone 16 and iPhone 16 Plus are designed with the environment in mind. As part of Apple 2030, the company’s ambitious goal to be carbon neutral across its entire carbon footprint by the end of this decade, Apple is prioritizing renewable electricity in manufacturing, and investing in wind and solar projects around the world to address the electricity used to charge all Apple products, including the iPhone 16 lineup. Today, all Apple facilities run on 100 percent renewable electricity — including the data centers that power Apple Intelligence.

To achieve Apple 2030, the company is also designing products with recycled and renewable materials. iPhone 16 and iPhone 16 Plus feature more than 30 percent recycled content overall, including 85 percent recycled aluminum in the enclosure and 80 percent or more recycled steel across multiple components. The battery is made with 100 percent recycled cobalt and — in a first for iPhone — over 95 percent recycled lithium.6 The iPhone 16 lineup meets Apple’s high standards for energy efficiency, and is free of mercury and PVC. The packaging is entirely fiber-based, bringing Apple closer to its goal of removing plastic from its packaging by next year.

Pricing and Availability

iPhone 16 and iPhone 16 Plus will be available in ultramarine, teal, pink, white, and black in 128GB, 256GB, and 512GB storage capacities. iPhone 16 starts at $799 (U.S.) or $33.29 (U.S.) per month, and iPhone 16 Plus starts at $899 (U.S.) or $37.45 (U.S.) per month.

Apple offers great ways to save and upgrade to the latest iPhone. Customers can get $180 (U.S.) to $650 (U.S.) in credit when they trade in iPhone 12 or higher, or up to $1,000 (U.S.) in credits to put toward an iPhone 16 Pro with a carrier offer. Customers can take advantage of these offers by visiting the Apple Store online or an Apple Store location. For carrier offer eligibility requirements and more details, see apple.com/shop/buy-iphone/carrier-offers. To see what their device is worth and for trade-in terms and conditions, customers can visit apple.com/shop/trade-in.

Customers in more than 58 countries and regions, including Australia, Canada, China, France, Germany, India, Japan, Malaysia, Mexico, South Korea, Türkiye, the UAE, the U.K., and the U.S., will be able to pre-order iPhone 16 and iPhone 16 Plus beginning at 5 a.m. PDT this Friday, September 13, with availability beginning Friday, September 20.

iPhone 16 and iPhone 16 Plus will be available in Macao, Vietnam, and 19 other countries and regions beginning Friday, September 27.

iOS 18 will be available as a free software update on Monday, September 16.

Apple Intelligence will be available as a free software update. The first set of Apple Intelligence features will be available in beta next month as part of iOS 18.1, iPadOS 18.1, and macOS Sequoia 15.1, with more features rolling out in the months to come. It will be available on iPhone 16, iPhone 16 Plus, iPhone 16 Pro, iPhone 16 Pro Max, iPhone 15 Pro, iPhone 15 Pro Max, and iPad and Mac with M1 and later, with device and Siri language set to U.S. English. Additional languages and platforms are coming over the course of the next year. Later this year, Apple Intelligence will add support for localized English in Australia, Canada, New Zealand, South Africa, and the U.K. In the coming year, Apple Intelligence will expand to more languages, including Chinese, French, Japanese, and Spanish.

In addition to an iPhone 16 and iPhone 16 Plus Clear Case, available for $49 (U.S.), a Silicone Case with MagSafe will be available for $49 (U.S.) in black, denim, fuchsia, lake green, plum, star fruit, stone gray, and ultramarine. Apple cases for the iPhone 16 lineup work seamlessly with Camera Control, featuring a sapphire crystal coupled to a conductive layer that communicates finger movements to the Camera Control. FineWoven Wallet with MagSafe will be available for $59 (U.S.) in black, blackberry, dark green, and deep blue.

A new MagSafe Charger enables faster wireless charging up to 25W, is Qi2 certified, and is available in a 1-meter length for $39 (U.S.) or a 2-meter length for $49 (U.S.).

AppleCare+ for iPhone provides unparalleled service and support. This includes unlimited incidents of accidental damage, battery service coverage, and 24/7 support from the people who know iPhone best.

iCloud+ plans start at 50GB for $0.99 (U.S.) per month and offer up to 12TB for $59.99 (U.S.) per month, providing additional storage to keep files, photos, videos, and more safe in the cloud, accessible across devices, and easy to share with others. iCloud+ also gives access to premium features, including Private Relay, Hide My Email, Custom Email Domains, and HomeKit Secure Video support.

Customers who purchase iPhone 16 and iPhone 16 Plus will receive three free months of Apple Music, Apple Arcade, and Apple Fitness+ with a new subscription.

1. iPhone 16 and iPhone 16 Plus are splash-, water-, and dust-resistant. They were tested under controlled laboratory conditions and have a rating of IP68 under IEC standard 60529 (maximum depth of 6 meters for up to 30 minutes). Splash, water, and dust resistance are not permanent conditions. Resistance might decrease as a result of normal wear. Do not attempt to charge a wet iPhone; refer to the user guide for cleaning and drying instructions. Liquid damage is not covered under warranty.

2. The display has rounded corners that follow a beautiful curved design, and these corners are within a standard rectangle. When measured as a standard rectangular shape, the screen is 6.12 inches (iPhone 16) or 6.69 inches (iPhone 16 Plus) diagonally. The actual viewable area is smaller.

3. Vehicle Control on FordPass with the Action button and Control Center will be available this fall in 56 countries and regions, including Australia, Canada, France, Germany, Mexico, Thailand, the U.K., the U.S., and Vietnam. Some features may not be available for all countries and regions, or all areas.

4. Apple’s satellite features are included for free for two years starting at the time of activation of a new iPhone 14 or later. For Emergency SOS via satellite availability, visit support.apple.com/en-us/HT213426. Messages via satellite will be available in the U.S. and Canada in iOS 18. SMS availability will depend on carrier. Carrier fees may apply. Users should check with their carrier for details. Roadside Assistance via satellite is currently available in the U.S. with AAA and Verizon Roadside Assistance, and is launching in the U.K. with Green Flag this fall. Participating roadside assistance providers may charge for services, and iPhone users who are not members can take advantage of their roadside assistance services on a pay-per-use basis. Apple’s satellite services were designed for use in open spaces with a clear line of sight to the sky. Performance may be impacted by obstructions such as trees or surrounding buildings.

5. Emergency SOS Live Video will be available in the U.S. in iOS 18.

6. All cobalt and lithium references are on a mass balance allocation.

When you use DPReview links to buy products, the site may earn a commission. Image: Canon

Canon has announced the EOS C80, a dedicated cinema camera in a mirrorless-style body. It's built around a 26MP full-frame stacked CMOS sensor and uses the RF lens mount. According to Canon, the C80's internals closely resemble the Cinema EOS C400, its newest professional cinema camera, including an almost identical sensor, though it lacks some features found on the C400.

The C80 replaces the EOS C70, a camera that proved very popular with independent video producers and small production houses but which used a smaller Super 35mm sensor and included an EF-to-RF 0.71x optical adapter that essentially worked as a speed booster.

The EOS C80's stacked CMOS sensor can capture video up to 6K resolution and features a triple-base ISO design, with bases at ISO 800, 3200, and 12,800. Dual gain systems work by switching between two different readout paths with different levels of capacitance, giving a tradeoff between a mode that can accommodate a large signal (higher peak dynamic range) and one with less tolerance for light but lower readout noise, better suited to shooting in low light. The implication is that Canon has a third readout option that takes this trade-off further. We've contacted Canon for further technical details and will follow up as we learn more.

Image: Canon

In addition to triple-base ISO, the updated sensor supports the newest version of Canon's dual-pixel autofocus, Dual Pixel AF II. It significantly enlarges the area of the sensor that can be used for autofocus and includes the same AF zones found on the Cinema EOS C400. The new system supports people and animal tracking, and the faster readout speed of the sensor allows the AF system to be quicker and more responsive.

The AF system also introduces a new feature intended to make it easier to rack between subjects. If the AF system is tracking a person, using the manual focus ring on the lens will take over focus control; when the AF system detects that it's close to focusing on a different subject, it will identify and take over focus tracking on that new subject once the focus ring is released.

Other new features include 12G-SDI terminals to allow for output of uncompressed video signals, Canon's multi-function shoe, a new lightweight handle accessory for attaching multi-function accessories, a third 1/4"-20 tripod thread on the base of the camera and another on top, and an ethernet terminal. Connections include full-sized HDMI-out, two mini XLR audio inputs, a 3.5mm microphone jack, 4-channel audio support, and a Time Code terminal. There are 13 custom buttons.

Image: Canon

The camera includes the same ND filter system as the EOS C400, with five settings ranging from ND2 to ND10, and there's a helpful tape measure hook on the top of the camera for planning focus and focus pulls.

The C80 supports three sets of video codecs, notably, the same ones found on the Cinema EOS C400 and the recently announced EOS R1 and EOS R5 II. This common use of codecs across all EOS models, including mirrorless and cinema products, suggests Canon is trying to better align video capabilities across the entire EOS line.

The C80 can capture up to 6K/30p video using the width of its sensor or up to 4K/60p using a Super 35mm crop when using Canon's Cinema RAW LT ('light') codec. It doesn't support Canon's higher bit rate Cinema RAW formats, HQ and ST, which require write speeds beyond the ability of the C80's dual-SD (UHS-II) memory cards.

Image: Canon

The camera also supports compressed codecs, including Canon's XF-AVC, XF-HEVC S, and XF-AVC S codecs, all of which support video capture up to 4K/60p (downsampled from 6K) in 4:2:2 10-bit color, using either All-I or Long-GOP formats. There's also slow motion support for frame rates up to 4K/120p and 2K/180p, with autofocus support up to 120p. The camera includes both C-Log2 and C-Log3 gamma curves and supports proxy files.

In addition to standard video, the EOS C80 provides anamorphic lens support with 2.0x, 1.8x and 1.3x de-squeeze. A new vertical interface is available when shooting vertical video.

The C80 also supports two new batteries: the BP-A30N, which ships with the camera and provides up to 170 minutes of continuous recording, and the BP-A60N, which Canon says will provide up to 335 minutes of continuous recording. According to Canon, the previous non-N versions of these batteries will continue to work without any feature limitations but will provide shorter operating times.

Price and availability

The Canon EOS C80 has a suggested retail price of $5499. It will be available in November 2024.

Canon Introduces the EOS C80 6K Full-Frame Cinema Camera

New EOS C80 RF-Mount Camera Features a 6K Full-Frame, Back-Illuminated Stacked CMOS
Sensor, Triple-Base ISO, Dual Pixel CMOS AF II and 12G-SDI

MELVILLE, N.Y., September 9, 2024 – Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new EOS C80 cinema camera, with a native RF-mount and full-frame, back- illuminated stacked CMOS sensor, designed for filmmakers that require a full-featured camera in a compact body.

6K Full-Frame Back-Illuminated Stacked CMOS Sensor

The Canon EOS C80 camera features a 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera. The EOS C80 camera also features Canon’s latest Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked sensor’s positioning offers superb light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers fast readout speed, as well as amazing 4K image quality from 6K oversampling.

12-G SDI and a Variety of Interfaces

In addition to moving to a full-frame sensor, the EOS C80 camera has also stepped up from its predecessor by adding 12G-SDI output, which enables uncompressed transfer of your video signal with a secure cable connection. The camera’s design includes a variety of other interfaces including HDMI, mini-XLR audio inputs, time code, built-in Wi-Fi® connectivity, and Ethernet. This internet connectivity enables the camera to be controlled remotely via our IP-based XC Protocol using Canon’s Remote Camera Control Application (available for free on the Canon USA Website), or our Multi-Camera Control App for iPhone (available for free on the App Store).

Compact Design

The compact and lightweight EOS C80 camera is suitable on a drone, gimbal, tripod, or in any configuration where compact size and light weight are important. The camera is ergonomically designed with a new, lightweight handle assembly. The Multi-function Shoe is located just above the LCD screen and the joystick controller provides easy control and menu navigation.

Recording Options

The EOS C80 camera can record up to 6K 30P in Cinema RAW Light. Other recording options include our standard XF-AVC codec which can record in 10-bit 4:2:2 with oversampling from the 6K sensor, creating rich detail and smooth imagery without the need for cropping the image from the sensor.Furthermore, autofocus is enabled when recording in slow or fast motion at up to 4K 120P. Additionally, the EOS C80 camera has two more recording codecs, XF-AVC S and XF-HEVC S. These formats were first introduced with the EOS C400 camera and feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.

Pricing and Availability

The Canon Cinema EOS C80 Full-Frame camera is scheduled to be available in November 2024 for an estimated retail price of $5,499.00. For more information, please visit www.usa.canon.com.

PriceMSRP5,499Body typeBody typeSLR-style mirrorlessSensorMax resolution6008 x 3170Effective pixels19 megapixelsSensor photo detectors27 megapixelsSensor sizeFull frame (36 x 24 mm)Sensor typeStacked CMOSColor spaceRec.709, BT.709 wide DR, HLG, PQImageBoosted ISO (minimum)1600Boosted ISO (maximum)102400White balance presets2Image stabilizationDigital onlyFile format

• N/A

Optics & FocusAutofocus

• Phase Detect
• Tracking
• Continuous
• Face Detection

Lens mountCanon RFScreen / viewfinderScreen size3.5″Screen dots2,760,000Touch screenYesLive viewYesViewfinder typeNonePhotography featuresExposure modes

• Manual, Auto Iris, Auto ISO/Gain

Built-in flashNoExternal flashNoMetering modes

• Center-weighted
• Spot

Exposure compensation±2 (at 1/4 EV steps)Videography featuresFormatXF-AVC, H.264, H.265MicrophoneMonoStorageStorage typesDual SD card slots (UHS-II/V90)ConnectivityUSB USB 3.2 Gen 1 (5 GBit/sec)HDMIYes (Full-size)Microphone portYesHeadphone portYesWirelessBuilt-InWireless notes802.11a/b/g/n/acRemote controlYesPhysicalBatteryBattery PackBattery descriptionBP-A30N (included), BP-A60N, BP-A60, BP-A30Weight (inc. batteries)1310 g (2.89 lb / 46.21 oz)Dimensions160 x 138 x 116 mm (6.3 x 5.43 x 4.57″)Other featuresOrientation sensorYesTimelapse recordingYes

Images: Dua Lipa, Three Legged Thing, Bandai Namco

It's the weekend, so that means we're once again rounding up all the little accessories and gadgets that we heard about throughout the week. But first, let's see what's on sale this week...

Full Frame Gold

The Sony a7R V.

Photo: Richard Butler

The Sony a7RV, which has earned both a place on our best high-end cameras buyers guide and a gold award, is currently on sale for $500 off MSRP. It features a stabilized 61MP sensor, as well as Sony's excellent autofocus system.

Buy now:

Buy at B&H PhotoBuy at Amazon.comBuy at Adorama

The Nikon Z5.

Photo: Dan Bracaglia

For those looking to spend a little less, the DPReview Gold-winning Nikon Z5 is also $400 off MSRP, which makes it just under $1,000 body only. It features a 24MP sensor, and while its autofocus and video are far from class-leading, its ergonomics and battery life help make up for those downsides - especially at this price.

Buy now: $996 at Amazon $996 at B&H $1,696 with 24-200 lens at Amazon You get a SmallRig, and YOU get a SmallRig

The EOS R5 II is going into its cage, and it's feeling just fine.

Image: SmallRig

SmallRig has come out with a few new kits this week. The company has started selling versions of its 'HawkLock' quick-release cage and 'Black Mamba' ergonomic cage for the Canon EOS R5 Mark II now that the camera is starting to make its way to consumers. The company is also releasing a traditional basic cage for the EOS R5 II.

HawkLock cage kit for EOS R5 II: $128 at SmallRig Black Mamba cage kit for EOS R5 II: $145 at SmallRig

The company has also released 'Colorful Editions' for the HawkLock cages for the Sony FX3 / FX30 and A7R V / A7 IV / A7S III. Similar to its last color event, it's only selling a limited number of each, though there are fewer colors to choose from; you can only get the cages in red or orange this time around. They also come at a $5 price premium over their black counterparts.

Image: SmallRig

On the other end of the photography/videography spectrum, SmallRig has also released a new kit for people serious about shooting video with their phones. Its 'All-In-One Mobile Video Kit' is a collaboration with YouTuber and filmmaker Brandon Li. It includes a cage, which you can attach to your phone using Apple's Magsafe or a more traditional clamp, as well as a pair of handles, a 67mm filter plate, and a USB hub.

The handles have a few tricks beyond just giving you a place to grip your phone. One includes an m.2 SSD enclosure, which can be used for external ProRes recording on the iPhone 15 Pro. It also has an integrated Bluetooth remote, which acts as a wireless shutter and zoom control for Android phones and iPhones.

SmallRig is offering several different bundles of the video kit, and you can buy several of the components separately.

Buy now: $240 at SmallRig An always-with you card reader Image: Anker

If your phone is less of your main camera and more of an accessory to your photography, Anker's latest MagSafe offering may be for you. It's a puck that adds an SD and TF card reader to the back of your phone, so you can offload pictures from a dedicated camera to share on social media or upload to the cloud.

The MagGo USB-C Adapter has an integrated USB-C cable, which plugs into your phone to enable data transfer. It also has a USB-C port on the side, which allows it to also act as a pass-through charger if you connect it to a power adapter or battery bank. According to Anker it can output up to 42.5W, and supports data speeds up to 312MB/s (though the iPhone 15's USB-C port is limited to much slower USB 2.0 speeds).

Of course, you can also connect the MagGo's cable to a computer, which will let it act as a USB-C hub and card reader dongle.

Buy now: $35 at Amazon The Desk Arm

This could be an incredibly easy way to mount a camera and ring light to your desk.

Image: Three Legged Thing

Three Legged Thing has announced a series of accessories called the 'Camera Desk Mount System.' At its heart is an extending pole that you can clamp to a table or desk with a ball head and 1/4"-20 thread on top. Also available is an accessory arm that clamps to the pole and that can be purchased in straight or articulating varieties.

The company is marketing the system towards content creators making videos for TikTok, Reels, and Twitch, but it could also be handy for photographers who often find themselves needing to get top-down shots of their desk (or for people who want a place to mount their extra-fancy webcam). It can hold items up to 1kg (2.2lbs).

The upright mount costs $35 on its own, and you can get a kit with a single accessory arm for $50 or the articulating arm for $60. You can also get the arms a la carte for $23 and $30, respectively.

Buy now: $35 at B&H Tiny Nikons Image: Bandai Namco

This next pick isn't an accessory for your camera but rather a camera-shaped accessory for your desk, keychain, or bookshelf. Nikon has partnered with Bandai Namco to create miniature versions of the Nikon F, Z Fc, SP, and Z9, which will be sold through capsule vending machines known as gashapons.

Each plastic figurine comes with a specific 'lens,' though they are removable, so you might be able to mix and match them if you had multiple models. According to The Verge, they're only available in Japan. Those of us elsewhere will have to be happy just knowing these exist in the world.

Radical optimism about film Image: Dua Lipa

The final piece of gear doesn't come from a camera retailer but from a pop star's merch shop. Dua Lipa, the artist behind hits like 'New Rules' and 'Don't Start Now,' is now selling a 'reusable 35mm underwater camera' on her merch store (via Kosmo Foto). It has a 28mm F9 'focus free' lens, according to the very colorful box.

The camera's branded with the name of her latest album 'Radical Optimism,' and includes a lanyard and waterproof shell that'll work down to 3m (approx. 10ft). However, the package doesn't include any film, which is a bit of a bummer given its $40 price tag - you can currently get a 27-shot waterproof disposable for around $13, which is unfortunately cheaper than most rolls of color ISO 800 film these days. It's also worth noting that Fujifilm and Kodak's one-time-use waterproofs are rated to go over twice as deep as Dua's.

However, it's probably worth looking at this camera with some... optimism, for lack of a better word. If a Dua Lipa fan sees it, buys it, and has fun with it, that's one more person keeping film alive. How's that for Future Nostalgia?

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This week, Sigma announced its 28-105mm F2.8 DG DN lens for L and Sony E mounts. Luckily, we were able to get some hands-on time with the lens during a holiday weekend in the US, which meant we were able to shoot with it while traveling. Given the versatile focal length, that will likely be a common use-case for this lens.

Click to view our Sigma 28-105mm F2.8 DG DN Art sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Image: DJI

DJI has announced a new drone called the Neo. It costs $199, weighs a mere 135g (4.76oz), can shoot 4K video, and can fly for up to 18 minutes. The company says it's designed as "a vlogging tool ideal for capturing everyday life, leisure activities, family moments, and pets."

In essence, it's a flying selfie camera, similar to the HoverAir X1 or Snap Pixy. It comes with removable propeller guards that allow it to be used safely indoors, though using them will slightly reduce its flight time.

The Neo can capture 12MP images using a Type 1/2 (6.4 x 4.8) sensor with a 14mm full-frame equivalent F2.8 lens. It can shoot in 4K/30 or 1080 at up to 60p. If you aren't using electronic image stabilization, the video will be 4:3; turn on the 'RockSteady' or 'HorizonBalancing' mode, and it'll drop down to 16:9. The drone also has a physical single-axis (up/down) gimbal to help keep footage steady, even if it's moderately windy.

The DJI Neo can do 'Palm Takeoff' and automatically follow you around.

Image: DJI

The drone's controls align with its beginner and casual photographer-friendly nature. A button on the top lets you select what mode you want the drone to use; by default, it will follow you, using 'AI algorithms' to keep you in frame, even if you're moving quickly on a skateboard or bicycle.

From there, you can hold it out in your hand and it will automatically take off and start recording after detecting you as a subject. How you get it to land will depend on what mode it's in, but it can fly back and land in your palm as well.

The drone also has a feature known as 'QuickShots,' where it will automatically perform a specific movement such as circling around you or zooming straight up into the sky while keeping you in the center of the frame. You can select a QuickShot mode using the button, or the drone's app.

You can essentially control the DJI Neo with one button, though the company says you should set up the app in case you need to take control of it while it's in flight.

Image: DJI

The app also lets you control the drone with your voice or with virtual joysticks on the screen. It's also how you preview the footage it's taking and export it to social media, and it even supports recording audio with your phone's microphone.

You can buy an optional controller for the Neo, but physical controls alone won't make it a suitable replacement for serious video drones like the DJI Mavic or even DJI Mini. Those drones have larger cameras, more sophisticated gimbals and ranges measured in kilometers, where the Neo can only be used up to 50m (164ft) away.

Of course, that's not what the Neo is designed for. As its product page says, it's made to 'capture cinematic footage with YOU in focus,' and to do that task with as little fuss as possible. And at that $199 price point, it seems likely it'll be a hit with consumers who want to spice up their social media feeds without really having to learn how to use a drone.

The Neo is for people who want drone shots without having to learn how to use a drone

With that said, there are potential dark skies in DJIs future that any Americans considering the Neo should be aware of. Congress is currently considering passing the 'Countering CCP Drones Act,' which could act as a de facto ban on the company's drones. If passed, "telecommunications and video surveillance equipment or services" made by DJI would be placed on a list of products that 'pose an unacceptable risk to U.S. national security,' according to the bill's summary. The company has published a document responding to 'inaccuracies lodged against DJI in the public domain,' but it remains unclear whether its products will be allowed in the United States in the future.

For those outside the US or who are willing to roll the dice, however, the Neo could turn out to be an extremely fun toy. If you get one, just be sure to be very aware of the rules around using a drone wherever you are. It may be small and light enough to take anywhere, but that doesn't mean it should be used everywhere.

Buy now: $199 at Amazon $199 at B&H Press Release DJI Makes Everyday Life Recording Fun and Easy with New Personal, Palm-Sized Videographer

New DJI Neo is light, compact, and makes capturing cinematic photos and videos effortless

DJI, the global leader in civilian drones and innovative camera technology, today announces the DJI Neo, a new personal lightweight and compact aerial videographer for taking cinematic footage of day-to-day adventures or having fun with friends. Weighing less than 5 ounces (135g), Neo can take off and land from the palm of the hand1. It can be flown indoors or outside for a flight time of up to 18 minutes1 and takes 4K ultra-stabilized videos via QuickShots. The propellers are fully enclosed to ensure the safety of users and their surroundings.

"At DJI we are always studying everyday camera use so that we can help people capture their videos and photos in the most convenient way possible. The DJI Neo strives to give people the latest tech in the smallest form factor so that they can capture their daily lives, saved as treasured memories, safely and with ease," said Ferdinand Wolf, Creative Director at DJI.

Into the Air at the Press of a Button

By simply pressing the mode button and selecting the desired shooting mode, Neo will automatically snap 12MP stills with its 1/2-inch image sensor or produce 4K UHD stabilized videos at 4K/30fps1 using DJI's powerful stabilization algorithms. Upon completion, Neo will return to the user's palm.

Tell Your Story with QuickShots

Neo's AI algorithms have been created to keep the subject within frame. Whether cycling, skateboarding or hiking, captivating shots can be created with ease. Additional creativity can be achieved by taking advantage of Neo’s QuickShots, which has six intelligent shooting modes1, offering a range of different recording angles.

Expanse: Videographer flies backward and ascends, with the camera locked on the subject, and records a video.
Circle: Videographer circles around the subject.
Rocket: Videographer ascends with the camera pointing downward.
Spotlight: Videographer rotates while keeping the object of interest within the frame
Helix: Videographer ascends and spirals around the subject.
Boomerang: Videographer flies around the subject in an oval path, ascending as it flies away from its starting point and descending as it flies back. Its starting point forms one end of the oval’s long axis, while the other end is at the subject's opposite side from the starting point.

Control It Your Way

Neo has been designed to fly with style and capture hassle-free photos and videos. It can be piloted using one-button QuickShots or voice control1 which is enabled with the “Hey Fly” command. With a Wi-Fi connection, Neo can also be controlled using the DJI Fly app’s virtual joysticks on the app’s interface with a control range of up to 50 meters1. Within the app, the perspective and distance can be set, giving extra freedom to shoot from afar or up close.

Stabilization as Standard

Neo is equipped with a single-axis mechanical gimbal and is capable of handling high-speeds or flights with lots of maneuvers. When combined with RockSteady or HorizonBalancing stabilization, overall image shake is significantly reduced and horizon tilt is corrected within ±45°1, for smooth and stable footage that maintains clarity in both highlight and shadow areas. Using an infrared and monocular vision positioning system, Neo can hover steadily in the air, maintaining stability even in Level 4 wind conditions. It also supports automatic Return to Home (RTH) for convenient, worry-free operation.

Transfer Content and Record Sound Wirelessly

Using the DJI Fly app, phones and videos captured with Neo can be transferred instantly via high-speed QuickTransfer. This wireless transfer makes post production and sharing smoother. The DJI Fly app offers a vast selection of templates, sound effects, and image effects, for quick and easy editing.

Audio can also easily be recorded wirelessly with the simple tap of a button on the DJI Fly app, either through the smartphone’s built-in microphone or DJI Mic 2 via Bluetooth for even higher audio quality. The app automatically eliminates propeller noise and merges the audio track with the footage, ensuring a clear sound even when shooting low-angle vlogs.

For convenient charging, connect Neo directly to a power source using a Type-C data cable. Additionally, the Two-Way Charging Hub can charge three batteries simultaneously1, increasing both charging speed and efficiency.

Price and Availability

The DJI Neo is available for pre-order from store.dji.com and authorized retail partners, in the following configurations:

DJI Neo: 199 USD

DJI Neo Combo: 289 USD

Neo Debuts at IFA, 6-10 September, 2024

Be among the first to experience the groundbreaking DJI Neo at this year’s IFA, Germany. Visitors can try it out at DJI's booth (Hall 17-110) from 6th-10th September.

DJI Care Refresh

DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for DJI Neo. The replacement service covers accidental damage, including flyaway, collisions and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.
DJI Care Refresh (1-Year Plan) includes up to two replacements in one year. DJI Care Refresh (2-Year Plan) includes up to four replacements in two years. Other services of DJI Care Refresh include official Warranty and free shipping. For a full list of details, please visit: https://www.dji.com/support/service/djicare-refresh.

1All data was measured using a production model of DJI Neo in a controlled environment.

1For more information, please refer to https://www.dji.com/neo.

When you use DPReview links to buy products, the site may earn a commission. Image: Leica

Leica has announced the new Vario-Elmarit-SL 70-200mm F2.8 ASPH zoom lens, a fast telephoto zoom for L-mount cameras with applications for everything from weddings to sports and wildlife. Alongside the lens, Leica also announced a new tele-extender, the Extender L 2.0x.

The new lens completes Leica's 'Holy Trinity' of fast F2.8 zoom lenses for L-mount, joining the Super-Vario-Elmarit-SL 14-24mm F2.8 ASPH and the Vario-Elmarit-SL 24–70 2.8 ASPH. Put together, the three lenses provide a constant F2.8 maximum aperture from 14-200mm.

The image-stabilized Vario-Elmarit-SL 70-200mm comprises 20 elements in 15 groups, including three aspherical lenses, and features an internal focusing mechanism. It has a close focus distance of 0.65m (2.1ft.) at 70mm and 1m (3.3ft.) at 200mm.

Image: Leica

The lens barrel has all-metal magnesium and aluminum construction, and external lenses feature Leica's Hydrophobe Aqua-Dura coating. It features an 82mm filter thread. The lens includes a tripod clamp and detachable tripod shoe.

Leica says the lens is dust, splash and water protected.

Keen observers may notice that the Vario-Elmarit-SL 70-200mm F2.8 ASPH includes the same number of elements and groups, aspherical lenses, and the same close-focusing distance as the Sigma 70-200mm F2.8 DG DN OS.

Price and availability

The Vario-Elmarit-SL 70-200mm F2.8 ASPH has a list price of $3,295; the Extender L 2.0x lists for $995. Both products are available beginning today.

Leica unveils its final lens in its trio of lens series for the SL-System

New telephoto zoom lens with a focal length of 70–200mm and new 2.0x Extender expands the L-Mount portfolio.

Teaneck, September 5th, 2024. Leica lenses are renowned globally for their exceptional quality, with their legendary imaging performance based on more than 150 years of
expertise in the manufacturing of optical instruments. The same applies to the new Leica Vario-Elmarit-SL 70–200 f/2.8 ASPH.

Being the third zoom lens with an aperture of 2.8, the new Leica Vario-Elmarit-SL 70– 200 f/2.8 ASPH. completes the trio of lens series for the SL-System together with the Leica Super-Vario-Elmarit-SL 14–24 f/2.8 ASPH. and the Leica Vario-Elmarit-SL 24–70 f/2.8 ASPH. This series allows for photographing and filming with a continuous aperture throughout the entire focal length range, from 14mm to 200mm. At the same time, Leica Camera AG introduces another extender for the SL lens portfolio. The Extender L 2.0x expands the creative potential of the SL system, reaching focal lengths up to 800mm.

With its classic telephoto zoom focal length, the new Leica Vario-Elmarit-SL 70–200 f/2.8 ASPH. is ideally suited for impressive portrait shots. Thanks to its high aperture ratio throughout the entire zoom range and its excellent image stabilization, the new Vario lens is equally capable for event, sports and nature photography.

Inside the lens, 20 elements arranged in 15 groups, including three lenses with aspherical surfaces, ensure razor-sharp, detailed images right into the corners of the frame across all focal lengths. Additionally, convenient handling is ensured by the internal focusing mechanism, maintaining its constant size at any focal length.

With the new Extender L 2.0x, which is available separately, the focal length of the telephoto Vario can be extended from 70–200mm to 140–400mm. It occupies minimal space on the go while offering endless creative opportunities.

The retail price for the new Leica Vario-Elmarit-SL 70–200 f/2.8 ASPH. is $3,295.00 USD. The retail price for the Leica Extender L 2.0x is $995.00 USD. Both products are available globally at all Leica Stores, the Leica Online Store and authorized dealers.

Leica Vario-Elmarit-SL 70-200mm F2.8 ASPH specifications Principal specificationsLens typeZoom lensMax Format size35mm FFFocal length70–200 mmImage stabilizationYesLens mountL-MountApertureMaximum apertureF2.8Minimum apertureF22Aperture ringNoOpticsElements20Groups15Special elements / coatings3 asphericalFocusMinimum focus0.65 m (25.59″)Maximum magnification0.19×AutofocusYesFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight1540 g (3.40 lb)Diameter89 mm (3.5″)Length207 mm (8.15″)MaterialsMagnesium and aluminum full-metal constructionZoom methodRotary (internal)Zoom lockNoFilter thread82 mmHood suppliedYesTripod collarYes

When you use DPReview links to buy products, the site may earn a commission. Image: Sigma

Sigma has announced the full-frame 28-105mm F2.8 DG DN Art lens for L-mount and Sony E-Mount cameras. The company says the lens is meant to cover "several popular focal lengths," such as 28mm, 50mm, and 85mm while providing a constant aperture.

The lens is constructed from 18 elements in 13 groups, with two fluorite-like 'F' low dispersion (FLD) elements, one super low dispersion (SLD) element and five aspherical lenses. The front element has a water and oil-repellant coating, and Sigma claims the lens is dust and splash-resistant.

Buy now:

$1499 at B&H Photo$1499 at Adorama

The company is pitching this as a lens for both photographers and videographers. To woo the latter, it says that the 'High-response Linear Actuator' autofocus motor will provide 'noise-free video capability' and emphasizes its 'minimal' focus breathing.

This lens includes a variety of switches and buttons.

Image: Sigma

The L-mount version of this lens weighs 995g (35.1oz), which makes it approximately 34% heavier than Sigma's comparable 24-70 F2.8 for L-mount, which weighs 745g (26.3oz). Whether that'll be worth it to you will likely depend on how often you find yourself wishing for just a little more reach (or how often you shoot at your lens' widest setting).

While shooting a sample gallery for the lens, which you can see below, we found the relatively unusual 28-105mm focal length to be highly versatile for everyday shooting, though we wouldn't be surprised if some shooters were left wanting a bit more on the wide end, given the popularity of the 24mm focal length.

We also appreciated the tactility of the lens. It has an aperture ring, a switch to change that ring between click and clickless mode, and a lockout to keep it in or out of the auto setting. There's also a zoom lock, autofocus/manual focus switch and a pair of AFL buttons.

Sigma claims the lens is "surprisingly compact," at a length of 157.9mm (6.2"), but you can expect it to extend by around 38mm (1.5") when you zoom with it. It's also worth noting that the lens has a 40cm (15.8") minimum focusing distance, which is relatively distant compared to many brands' 24-70 F2.8 lenses. The lens has an 82mm filter size.

The 28-105mm F2.8 DG DN Art will sell for $1,499 when it launches in 'late September.'

Buy now:

$1499 at B&H Photo$1499 at Adorama Sigma 28-105mm F2.8 DG DN sample gallery:

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab. Press Release: SIGMA announces 28-105mm F2.8 DG DN | Art lens, a new fast-aperture zoom with extended reach

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-105mm F2.8 DG DN | Art zoom lens for full-frame mirrorless camera systems. Spanning many popular focal lengths in a single fast-aperture zoom, this is an exciting addition to the product line.

The SIGMA 28-105mm F2.8 DG DN | Art is a surprisingly compact, full-frame, wide-angle to telephoto zoom lens with a fast constant aperture. Available for Sony E-mount and L-Mount, this lens covers several popular focal lengths from 28mm to 105mm, including the very popular 85mm focal length for portraiture, remaining at F2.8 through the entire range.

Featuring HLA (High-response Linear Actuator) autofocus, and optical performance that lives up to the standard of Art line lenses, the SIGMA 28-105mm F2.8 DG DN | Art joins SIGMA’s selection of fast-aperture zoom lenses in the Art line, offering photographers and videographers a variety of premium standard zoom options depending on their personal style. Like the 24-70mm F2.8 DG DN II | Art and the 28-45mm F2.8 DG DN | Art, the new 28-105mm F2.8 includes a lockable aperture ring with click/declick function, as well as two AFL buttons and a zoom lock switch. Additionally, the dust- and splash-resistant design and water-and oil-repellant coating on the front element makes it suitable for shooting both stills and video in inclement weather.

A minimum focusing distance of 15.8 inches (40cm) at all focal lengths, and maximum magnification ratio of 1:3.1 at the telephoto end add to the versatility of this new zoom lens. This lens also features a rounded twelve-blade diaphragm, which helps to keep the large-aperture unit as small as possible.

Measures have been taken to minimize changes in optical performance due to differences in zoom and focus positions, including the use of a difficult-to-process large-diameter FLD glass in the first group to suppress aberrations in each group. In addition, the use of 5 aspherical lens elements has enabled the lens to achieve both a wide zoom range of 28mm to 105mm and a large-aperture of F2.8, while reducing its overall size.

By thoroughly reducing the weight of each part, the lens is kept under 2 pounds while achieving both a wide zoom range and an F2.8 aperture. The lens barrel near the mount is made of magnesium rather than aluminum, ensuring rigidity while reducing the weight of these parts alone by two-thirds. The lens will retail for $1,499 and will be available in late September 2024.

Learn more at: https://www.sigmaphoto.com/28-105mm-f2-8-dg-dn-a

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art

SIGMA 28-105mm F2.8 DG DN | Art

Beyond Standard.

• Constant F2.8 aperture across a versatile 28-105mm zoom
• Superb portability thanks to a weight of less than 1kg
• Professional features, fast AF and excellent build quality

Supplied accessories: CASE, LENS HOOD LH878-07, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: September 26, 2024

* Product appearance and specifications are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA28105mmF28Art #SIGMAArt #SIGMAArtZoom #SIGMADGDN

Harness the power of this versatile and portable F2.8 optic with an extended 28-105mm focal range – a standard zoom that goes well beyond standard.

The SIGMA 28-105mm F2.8 DG DN | Art is not just another standard zoom lens. With a powerful wide-angle to medium telephoto focal length and a bright F2.8 aperture throughout, this full-frame mirrorless zoom combines outstanding optical performance, superb build quality and a range of pro-grade features to make it one of the most versatile optics on the market for mirrorless systems.

The lens is built to tackle a huge range of subjects and situations, from expansive low-light landscapes to portraits with big, beautiful bokeh, and thanks to SIGMA's latest optical technology and the use of large diameter elements including FLD, SLD and five aspherical elements, it is able to do so with superb clarity and sharpness. This allows the lens to deliver exceptional versatility without compromising on optical quality. The lens also includes high-speed AF with HLA technology, a rugged dust- and splash-resistant structure, and various functions such as an aperture ring, all packed into a compact and lightweight body weighing less than 1kg, making it an exceptional all-round choice for both stills and video.

[Key Features]

1. Constant F2.8 aperture across a versatile 28-105mm zoom

Many conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the SIGMA 28-105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.

A versatile F2.8 aperture perfect for portraits and low light

With its fast aperture across the whole focal range, the SIGMA 28-105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.

Fill the frame with superb close-up performance

Achieving a minimum focus distance of just 40cm across its entire zoom range, the SIGMA 28-105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.

Superior optical performance across the full zoom and focus range

The SIGMA 28-105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter 66.4mm element that is extremely difficult to produce and only available thanks to SIGMA’s advanced manufacturing technology at its sole production base in Aizu, Japan.

Designed to minimize flare and ghosting

Using advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, SIGMA's Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.

Minimal focus breathing

Vital for filmmakers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.

2. Superb portability thanks to a weight of less than 1kg

Standard zooms should be small and light enough for all-day hand-held shooting, so the SIGMA 28-105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.

Excellent optical performance in a streamlined body

By using five aspherical elements in its optical construction, SIGMA has succeeded in significantly shortening the lens's total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at SIGMA's sole production base in Aizu, Japan.

Smarter design means lower weight

Constant F2.8 zoom lenses can be heavy, but by optimizing the design and materials of each part of the SIGMA 28-105mm F2.8 DG DN | Art, SIGMA has achieved a remarkably light weight of less than 1kg. The use of magnesium-alloy rather than aluminum for the lens barrel around the mount has reduced the weight of these parts alone by two-thirds, while ensuring rigidity.

3. Professional features, fast AF and excellent build quality

In addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the SIGMA 28-105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.

A linear motor HLA for rapid and accurate AF

The lens incorporates a linear motor HLA (High-response Linear Actuator) that delivers a maximum drive speed, ensuring responsive, precise and smooth AF. With its high level of quietness, the motor also provides noise-free video capability.

An aperture ring for improved ergonomics

For quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.

Two AFL buttons* for added customization

Located on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling.

* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.

Zoom lock switch to keep the zoom ring secure

The lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.

Weather-resistant structure for challenging conditions

The lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions.

* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Petal-type hood

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

• Lens construction: 18 elements in 13 groups (2 FLD, 1 SLD, 5 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Only cameras that are compatible with the function are allowed to use this function. Also, the items that can be corrected may vary depending on the camera, or automatic correction may be performed.
  * On a camera that allows selecting ON/OFF for lens aberration correction, set the various aberration corrections to ON (AUTO) from the camera menu.
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water- and Oil-Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (2 locations)
  * Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.
• Focus Mode switch
• Zoom Lock switch (Locks at wide end)
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
  * Only cameras that are compatible with the system are allowed to use the system.
• Dust- and Splash-Resistant Structure
  * The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
• Petal-type hood with lock LH878-07
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA’s proprietary MTF measuring system
• 12-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

Sigma 28-105mm F2.8 DG DN specifications: Principal specificationsLens typeZoom lensMax Format size35mm FFFocal length28–105 mmLens mountL-Mount, Sony EApertureMaximum apertureF2.8Minimum apertureF22Aperture ringYesNumber of diaphragm blades12Aperture notesAperture ring click switch Aperture ring lock switchOpticsElements18Groups13Special elements / coatings2 FLD, 1 SLD, 5 aspherical elementsFocusMinimum focus0.40 m (15.75″)AutofocusYesMotor typeLinear MotorDistance scaleNoDoF scaleNoPhysicalWeight995 g (2.19 lb)Diameter88 mm (3.46″)Length158 mm (6.22″)MaterialsMagnesiumSealingYesColourBlackZoom methodRotary (extending)Power zoomNoZoom lockYesFilter thread82 mmHood suppliedYesHood product codeLH878-07Tripod collarNo

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Sigma 10-18mm F2.8 DC DN (L-mount version pictured)

Image: Sigma

Sigma has formally announced the arrival of its 10-18mm F2.8 DC DN wideangle APS-C lens for Canon's RF mount.

It becomes the second APS-C lens and the second third-party lens that Canon has licensed to be let loose within the RF walled garden. As with Sigma's 18-50mm F2.8 DC DN, it significantly expands the options available to keen photographers looking to get the most out of models such as the R10 and R7.

The 10-18mm offers a field of view roughly equivalent to a 16-29mm lens on full frame, making it a useful wide-to-ultrawide option for Canon shooters who want a brighter aperture than Canon's own compact, $329 RF-S 10-18mm F4.5-6.3 IS.

As with the versions available for other mounts, the 10-18mm comprises 13 elements in 10 groups. This includes three fluorite-like 'F' low dispersion elements, one super low dispersion element and four aspherical lenses. It uses seven rounded diaphragm blades. It accepts 67mm filters.

At 270g (9.5oz) the Canon version is 10g heavier than the L-mount version in our database and 20g heavier than the X-mount variant. It's 72.2mm (2.8") wide and 62mm (2.4") long at its shortest, and extends slightly as you zoom out to the 10mm setting.

Sigma has said its four DC DN F1.4 primes, the 16mm, 23mm 30mm and 56mm lens, are expected to arrive for the RF mount next.

The lens will be available from "late September" 2024 at a recommended price of $659.

Pricing and availability of SIGMA 10-18mm F2.8 DC DN | Contemporary for Canon RF Mount announced

Ronkonkoma, NY – September 5, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the pricing and availability of the SIGMA 10-18mm F2.8 DC DN | Contemporary for the Canon EOS R camera system.

Originally announced in October 2023, this lens was first released concurrently for L-Mount, Sony E-mount and Fujifilm X Mount, and is now available for Canon RF Mount. This compact, versatile zoom is a perfect partner for the SIGMA 18-50mm F2.8 DC DN | Contemporary which was released for Canon RF Mount in June 2024. The new lens will be available through authorized retail partners in late September 2024 for a retail price of $659.

This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems*. On the Canon system, the lens covers a 16-28.8mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 16-80mm (35mm equivalent) range with the same bright F2.8 maximum aperture, with a combined weight of under 550g (19.5 oz.)

The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.

The optical design of the lens delivers a short 11.6cm (4.6 in.) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the autofocus system delivers swift, quiet AF during both still and video use.

Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on multiple platforms.

Learn more at: https://www.sigmaphoto.com/10-18mm-f2-8-dc-dn-c

Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*. [ Long-awaited Canon RF Mount addition ]

SIGMA's APS-C size mirrorless dedicated zoom lens, the 10-18mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system even more.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*2. The mount is rubber-sealed to cater for use in a variety of environments.

Mount Conversion Service is available to convert other mounts of SIGMA 10-18mm F2.8 DC DN | Contemporary to Canon RF Mount.

[ Features ] Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities

By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.

Extremely compact and lightweight

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*3, with a length of 62.0mm, a maximum diameter of φ72.2mm, and a weight of 270g*4. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.

Ideal for landscapes, travel, video and online content creation

With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA.
*2 Available on supported cameras only.
*3 As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.
*4 The values are for Canon RF Mount.

Sigma 10-18mm F2.8 DC DN specifications Principal specificationsLens typeZoom lensMax Format sizeAPS-C / DXFocal length10–18 mmImage stabilizationNoLens mountCanon RF, Fujifilm X, L-Mount, Sony EApertureMaximum apertureF2.8Minimum apertureF22Aperture ringNoNumber of diaphragm blades7OpticsElements13Groups10Special elements / coatings3 FLD, 1 SLD, 4 AsphericalFocusMinimum focus0.12 m (4.57″)Maximum magnification0.25×AutofocusYesMotor typeStepper motorFull time manualNoFocus methodInternalDistance scaleNoDoF scaleNoPhysicalWeight260 g (0.57 lb)Diameter72 mm (2.83″)Length62 mm (2.44″)Zoom methodRotary (extending)Power zoomNoZoom lockNoFilter thread67 mmHood suppliedYesHood product codeLH706-02Tripod collarNo

When you use DPReview links to buy products, the site may earn a commission. Image: Ricoh

Ricoh has announced a new flash unit that it will sell under the Pentax brand. Dubbed the AF180FG auto flash, it fits the hotshoes of Pentax DSLRs and Ricoh's GR-series of compact cameras. You can select between TTL auto modes with first-curtain or second-curtain sync, as well as full manual mode with either full- or 1/4-level discharge. It has a Guide Number of 18m at ISO 100.

The company is marketing the AF180FG as a 'rugged' flash, stating that it has 18 seals which make it 'dustproof' and 'weather-resistant.' As with the existing AF201FG, the head has 10 angle adjustments; it can be set to -10, 0, 30, 45, 60, 75, 90, 105, 120, and 135 degrees. It cannot be rotated to the side.

Ricoh says the flash has a built-in wide-angle panel that you can manually pull out to cover a 20mm angle of view for full-frame cameras (13mm APS-C models such as the Pentax K3 III or GR III). Without the panel, it'll cover a 24mm angle for full-frame/16mm for APS-C.

The flash runs off of two AAAs. Ricoh says you can expect approximately 100 shots with a 6-second recycle time if you're using alkaline batteries and around 130 shots with a 5-second recycle time with nickel-metal hydride batteries.

We've asked Ricoh what the difference is between this and the existing AF201FG, other than the lower Guide Number, and were told "That’s the only real difference – the new AF180FG flash shares the same compact size and functionality as the AF201FG flash."

The flash will go on sale in 'mid-September,' and will have an MSRP of $199.95.

Press Release Ricoh Imaging announces rugged PENTAX AF180FG compact auto flash, compatible with PENTAX DSLRs and RICOH GR Series cameras

New flash unit features dustproof, weather-resistant construction and simplified operation

PARSIPPANY, NJ, September 4, 2024 — Ricoh Imaging Americas Corporation today announced the PENTAX AF180FG auto flash. Compatible with both PENTAX DSLRs and RICOH GR Series digital cameras, this compact, portable flash has a maximum guide number of 18 at ISO 100/m. Designed with outdoor shooting in mind, it features 18 seals in crucial parts of the body, including the hotshoe, making it a highly dependable dustproof, weather-resistant accessory. When paired with a dustproof, weather-resistant DSLR camera body and lens, it assures solid performance, even in harsh outdoor conditions such as rain, mist and dust.

The AF180FG features bounce-flash functionality with a flash head that can be adjusted vertically to 10 different angles, up to 135°, to soften shadows and create more natural, true-to-life portraiture. Its simplified operating system lets the user start using the flash instantly by turning the discharge mode dial, which also functions as the ON/OFF switch. In addition to the OFF position, this dial provides a choice of four discharge modes: P-TTL auto flash with leading-curtain synchronization and P-TTL auto flash with trailing-curtain synchronization – in both settings, the flash’s preliminary emission is detected by the camera’s light sensor to accurately control the main discharge level for proper exposure; and manual flash with full discharge and manual flash with 1/4-level discharge.

The AF180FG also incorporates a built-in wide-angle panel that slides out to cover a 20mm angle of view (in 35mm format).

| Pricing and Availability |

The AF180FG will be available mid-September at www.us.ricoh-imaging.com as well as at Ricoh Imaging-authorized retail outlets nationwide for a manufacturer’s suggested retail price of $199.95.

For further information, please visit www.us.ricoh-imaging.com

| Main Features |

1. Compact body, with dependable dustproof, weather-resistant design for outdoor shooting

This auto flash unit has a compact, well-balanced body ideal for use with PENTAX and RICOH digital cameras compatible with P-TTL, which includes PENTAX DSLRs and the RICOH GR series cameras. Thanks to 18 seals applied in crucial parts of the body including the hotshoe, it features a highly dependable dustproof, weather-resistant construction. When paired with a dustproof, weather-resistant DSLR camera body and lens, it assures solid performance, even in harsh outdoor conditions such as rain and dust.

2. Bounce flash function up to a 135-degree tilt angle

The flash head can be adjusted vertically to 10 different angles (-10, 0, 30, 45, 60, 75, 90, 105, 120 and 135 degrees) for bounce-flash operation. By bouncing the flash discharge off the ceiling or wall during indoor shooting, the user can soften the subject’s shadow to create more natural, true-to-life portraiture.

3. Simplified, dial-access operation

This flash unit features a simplified operating system that lets the user start flash photography instantly by turning the discharge mode dial, which also functions as the ON/OFF switch. In addition to the OFF position, this dial provides a choice of four discharge modes: P-TTL auto flash with leading-curtain synchronization and P-TTL auto flash with trailing-curtain synchronization, in both of which the flash’s preliminary emission is detected by the camera’s light sensor to accurately control the main discharge level for proper exposure; and manual flash with full discharge and manual flash with 1/4-level discharge.

Specifications GeneralPower output / Guide numberISO 100 18, ISO 200 25Coverage3–25 mmBounce tilt135.00°Bounce tilt - notesStops for -10, 0, 30, 45, 60, 75, 90, 105, 120 and 135 degreesMinimum number of flashes (with AA alkaline batteries)100Recycle time (with alkaline batteries)6 secPower sourceAAADimensions2.6 x 2.9 x 1.2″ (66 x 74 x 30 mm)Weight5.00 oz (142 g)

Image: GoPro

GoPro has announced its newest action camera, the Hero13 Black. In addition to new in-camera features, the Hero13 Black also supports a variety of accessory lenses, including an anamorphic lens, ND filters, and new mounting accessories.

The Hero13 Black retains the features found on earlier models, including GoPro's impressive HyperSmooth image stabilization technology for video and 5.3K/60p video capture. However, the new accessory lenses will likely grab most of the attention as they bring a new level of flexibility to GoPro cameras.

Buy now:

Buy at GoPro Buy at B&H Photo Buy at Adorama

GoPro's new HB-series of lenses for the Hero13 Black include ultra-wide, macro, and anamorphic lenses and an ND 4-pack.

Image: GoPro

GoPro has announced three new HB-series lenses (which we assume stands for 'Hero Black') and a 4-pack of ND filters. The lenses and filters are automatically detected when attached to the camera, which GoPro says will provide optimal settings based on the lens type and environment. The lenses are waterproof and scratch-resistant.

The Ultra Wide Lens Mod captures an ultra-wide 177° field of view in a 1:1 aspect ratio, providing more freedom to crop video for horizontal or vertical video use. This lens also supports 360° Horizon Lock at up to 4K/60p, ensuring that the horizon in your video stays level even if the camera rotates.

The Macro Lens Mod makes it possible to focus on objects 4x closer than the standard GoPro lens, and a variable focus ring allows you to manually focus to a close focus distance of 11cm (4.3").

The Ultra Wide Lens Mod captures a wide 177º field of view in a 1:1 aspect ratio for later cropping.

Image: GoPro

The Anamorphic Lens Mod captures a wide-angle perspective in a 21:9 aspect ratio, similar to CinemaScope. Go Pro says it can also add cinematic lens flare to footage. The Hero13 Black supports in-camera de-squeezing, allowing users to capture, review and edit anamorphic footage without additional steps in post-processing.

The ND-Filter 4-pack includes four ND filters (ND4, ND8, ND16, ND32) that are automatically detected by the camera. When attached, the camera switches to Auto Cinematic video mode and attempts to choose the best settings for the shooting environment.

In addition to accessory lenses, there are some notable upgrades to the camera itself. The Hero13 Black includes a 13x Burst Slo-Mo mode that supports 720/400p or 5.3K/120p capture. It also includes what GoPro describes as "professional-level" Hybrid Log Gamma (HLG) video, which uses the broadcast-standard 10-bit Rec.2100 color space to deliver a wider color gamut.

GPS + Performance stickers track speed, path, terrain, altitude and g-force and can help with geotagging in third-party media management apps.

Image: GoPro

The camera also includes customizable audio tuning, allowing users to select between balanced, "true-to-life" sound or a voice setting that improves vocal clarity. GPS + Performance Stickers track speed, path, terrain, altitude and g-force and can help with geotagging in third-party media management apps.

The Hero13 Black uses a new 1900mAh battery. According to GoPro, it combines a 10% increase in capacity with improved power efficiency to deliver longer runtimes, including 1.5 hours of continuous recording in 5K/30p or 4K/30p modes and over 2.5 hours at 1080/30p. The camera also includes faster Wi-Fi 6 technology for 40% faster data transfer with compatible devices.

In addition to internal changes, a new Snap and Go magnetic latch mounting system joins the existing built-in mounting fingers and 1/4"-20 tripod thread, providing a third way to mount the Hero13 Black.

Alongside the new camera, GoPro announced new accessories, including the Contacto Magnetic Door and Power Cable kit, a power extension that magnetically attaches to a specially designed door and provides an easy, weatherproof way to power the camera from an external source. New Magnetic Latch and Ball Joint mounts provide a quick way to move the camera between mounts and are compatible with all existing GoPro mounts.

The Contacto Magnetic Door and Power Cable kit provides a weatherproof way to power the camera from an external source.

Image: GoPro

Compact Hero camera

Finally, in addition to the Hero13 Black, GoPro announced a second camera, branded simply as the Hero, which is described as the "Smallest, lightest, simplest to use and lowest cost 4K camera ever with a screen." It weighs just 86g (3oz.), 46% lighter than the Hero13 Black and 35% less volume.

The Hero is GoPro's smallest 4K camera with a built-in screen.

Image: GoPro

The Hero uses a touchscreen and single button design and can capture up to 4K/30p or 2.7K/60p video and 12MP photos. It includes GoPro's HyperSmooth image stabilization technology for smooth video and is waterproof to 5m (16ft.) According to GoPro, it will run for up to 100 minutes on a single charge.

Price and availability

The Hero13 Black is available in different configurations, including camera-only ($399), the Hero13 Black Creator Edition, which includes a Volta Power Grip, Media Mod and Light Mod ($599), as well as activity-optimized bundles at GoPro's website. It's available for pre-order now and is expected to ship and be available in retail stores on September 10.

The Ultra Wide Lens Mod ($99), Macro Lens Mod ($129) and ND filter 4-pack ($69) are available for pre-order now. Like the Hero13 Black camera, they will be available on September 10. The Anamorphic Lens Mod ($129) will be available sometime in 2025.

The Contacto Magnetic Door and Power Cable kit ($79), Magnetic Latch ($25) and Ball Joint mount ($40) are also available for pre-order now.

The compact Hero camera ($199) is available for pre-order today and is expected to ship on September 22.

Buy now:

Buy at GoPro Buy at B&H Photo Buy at Adorama

Image: Google

Picture this: you just bought a Google Pixel 9 Pro and have been shooting pictures with it all day. Because you're a photographer, one of the first things you did was turn on Raw + JPEG, so you'd have as much editing latitude as possible. You sit down at your computer, navigate to the Google Photos site, select all the photos you just took, hit download, and...

... discover that you now have a folder full of JPEGs without a Raw in sight. It turns out that there's no easy way to bulk download JPEG + Raw pairs from Google Photos; instead, you have to go to each picture individually, click the triple dot menu button, then hit "Download all 2 photos." Repeat that process for 40 photos, and you'll have 40 zip files that you'll then have to uncompress to finally get your JPEG and DNG files.

�Using Google Photos to get Raw files shot on a Google phone is a massive pain

In other words, getting the Raw files you shot with your Google phone out of Google Photos is a massive pain – something we discovered as we were shooting galleries for the new Pixel 9 phones. The difficulty bulk downloading Raw files took us by surprise, because we remembered it being so much easier with previous iterations of the phone.

To be clear, it's not that we're just fools who can't find an obvious button; Google Photos' management of Raws is a common complaint on forums like Reddit and Google Community. Google's own AI told us that bulk downloading wasn't possible. (To make sure it wasn't missing something or hallucinating, we also looked at the support documentation the old-fashioned way and found it mum on the subject of Raw downloads.)

Google Gemini essentially told me to look elsewhere. Also, PicBackMan has 1.8 stars on TrustPilot.

If you happen to be using Windows, you can get around this by plugging your phone into your computer with a USB cable and then using Windows Explorer to access the files and copy them to your computer. With macOS, it's a lot harder. If you can get Apple's Image Capture app to recognize the Pixel (and that's a big 'if' based on our testing), you can use it to get the Raws onto your computer. However, you'll have to navigate through a massive list of photos you likely didn't even know were on your phone and that don't seem to be in any discernible order. Oh, and your deleted photos will show up there, too, alongside MP3s and other mysterious file types such as DB-WAL, DB-SHM, and EXOs.

Pictured: Apple's Image Capture struggling with the Pixel 9's file structure. Not pictured: a good photo management experience.

There are almost certainly workarounds to this problem. You could use a different service to sync your pictures, such as Dropbox or Lightroom, if you pay for those. You could set up an automation on your phone to move the Raws from Google Photos to Google Drive, where you can bulk download them or even automatically sync them with your computer. And, because the Pixel runs Android, there are probably dozens of GitHub projects meant to solve this exact issue.

However, I'd argue that it's ridiculous that you need a workaround in the first place. (And yes, I'm counting having to physically plug your phone into a computer as a ridiculous workaround because it's 2024, not 2004.) You should be able to download your Raws from Google Photos without having to go one-by-one, especially since the problem stems from using Google's own photography-centric phone.

Apple handles Raw files shot on its phones much better than Google does

What makes the whole situation more annoying is that, to my genuine shock, Apple handles Raw files shot on its phones much better than Google does. Getting at them on a Mac is obvious; if you're syncing your photos with iCloud, they'll automatically be added to the Photos app.

Unbelievably, getting your iCloud photos on Windows is almost as easy. The iCloud for Windows app will automatically sync your photos – including Raws – to your computer. If you're using someone else's computer and can't install an app, you can go to the iCloud Photos website and batch-download them from there. In other words, Apple's system works exactly how I expected Google's to.

Apple Photos can sync straight to Windows Photos, Raws and all.

That's not to say that Apple's system is perfect. If you use Apple Photos to back up Raws from other cameras, it's very difficult to get them from a Windows machine. But while someone has probably had to deal with that scenario at some point, it's a substantially more niche use case than just trying to offload Raws you took on your phone. (And that in itself is already a niche workflow.) And if you don't use iCloud Photos, you will be left reaching for a cable or using AirDrop. But the point still stands that Apple's photo system handles Raws with far more grace than Google's

Hopefully, that fact is a wake-up call to Google. In theory, this problem could be entirely solved by the addition of a 'Download Raws' button that's available when you have multiple images selected in Google Photos. Until then, anyone who wants to shoot Raw on their Pixel should know that they're setting themselves up to jump through some hoops if they ever want to get those Raws on a computer.

On a completely unrelated note, check out our Pixel 9 Pro or Pixel 9 Pro Fold sample galleries to see how Google's newest smartphone cameras stack up.

Peak Design is back with its latest crowdfunding campaign to launch its new Outdoor Line of packs and bags explicitly aimed at outdoor enthusiasts and adventure photographers. According to Peak Design's Founder and CEO, Peter Dering, "Peak Design has been synonymous with 'outdoor photography,' yet we still haven't created true outdoor bags... until now."

The Outdoor Line's headline products are the Outdoor Backpack, available in 45L and 25L sizes, and the Outdoor Sling, available in 7L and 2L sizes.

Peak Design's Outdoor Backpack comes in two sizes: 25L and 45L.

Images: Peak Design

According to Peak Design, the Outdoor Backpack is built around a unique harness system inspired by running vests, which distributes weight over a greater surface area and uses low-profile shoulder and waist straps for improved comfort and reduced bulk. The shoulder straps feature built-in storage for easy access to small items and dual camera-carry attachment points. The exterior includes Peak's Design's Cord Hook system for attaching accessories and Flex Pockets for gear like water bottles and tripods.

The Outdoor Backpack can be accessed through what Peak Design calls an "Ultra Cinch" hatch, which combines a rolltop-like design found on a dry bag with a quick-cinch drawstring for quick opening and closing. There's also a large rear access panel for easy access to the pack's interior. When not in use, the hip belt can be rotated and stored behind the back pad to keep it out of the way.

The Outdoor Pack also includes three built-in attachment points for its Capture camera clip, one on each shouder strap and one on the hip belt. The 45L version of the pack weighs 1.6kg (4 lbs) and the 25L version weighs 1.2kg (2.5 lbs)

Image: Peak Design

The Outdoor Sling can be worn as a cross-body sling-type bag or as a waist pack, thanks to a removable, padded strap. The larger 7L model includes external gear loops to attach a Peak Design X-Small Camera Cube. Both models can be mounted on the shoulder straps of one of the new Outdoor Packs to create a chest-mounted storage system.

The Outdoor Sling is available in two sizes: 7L and 2L.

Image: Peak Design

Peak Design says its new bags are designed for compatibility with its Camera Cubes and Ultralight Packing Cubes, allowing users to customize their packs based on their specific needs.

The Outdoor Sling can be worn as a shoulder sling or waist pack.

Image: Peak Design

The Outdoor Line is being launched through a Kickstarter campaign, which runs until October 15, and customers who make Kickstarter pledges will receive discounts between 20-25% off expected retail pricing. This includes the 25L Outdoor Pack for $199 (MSRP: $250), the 45L Outdoor Pack for $265 (MSRP: $330), the 7L Outdoor Sling for $72 (MSRP: $90), and the 2L Outdoor Sling for $48 (MSPR: $60).

Products are expected to ship to Kickstarter backers in January 2025 and become available through Peak Design's website and other retail channels in November 2024.

Pledging to a crowdfunding campaign is different from ordering a product online, and risk is always involved. However, Peak Design has established a solid record of using such campaigns to launch new products, with 12 such crowdfunding campaigns under its belt.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Buy it now:

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Google's Pixel 9 Pro Fold is Google's latest foldable smartphone and the first from the company to bear the 'Pro' branding. However, it doesn't have the same camera system as the Pixel 9 or 9 Pro phones, which were launched alongside it.

Unlike the regular Pixel 9 Pro, the Pixel 9 Pro Fold has a screen on the front, but can be opened to reveal a 20cm (8in) display.

We shot a sample gallery with it to see how it performs, which you can view below. Alongside the regular photography, we also tried out some Fold-specific features, and one of Google's new AI features. Our thoughts on those are below the gallery.

Sample galleryThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

One of Google's headlining AI features for the Pixel 9 series is called 'Add Me,' and it's meant to solve the problem where group photos are always missing the photographer. To use 'Add Me,' you select the mode in the camera app and then ask the group you're taking a photo of to leave a space for you. After you take a picture, you get someone from the group to take the next shot, this time with you there instead of them.

The person now holding the phone will be asked to align the shot with the shot you took and press the shutter again. The Pixel 9 Pro Fold will combine those two images, digitally adding you to the group.

AI altered image: the person on the left was added to the group. Created using the 'Add Me' feature on the Pixel Pro 9 Fold.

However, both people we asked to use the feature found it confusing. Some of our test shots didn't turn out because they were taken while we explained how to use the feature. The UI shouldn't be too difficult for someone who's technically-savvy to figure out, but it is complicated enough that you probably won't be able to hand this phone to a parent or grandparent and expect a good group photo.

The 'Add Me' feature is available on all the Pixel 9s, but the Fold has an additional, simpler way to do group photos. You can unfold the phone into an L shape, set it down on a surface that's roughly level with the group, then start a self-timer and join the group.

This picture was made possible by the Pixel Pro 9 Fold's 'tabletop mode.'

While this is also possible with regular phones, you'll have to find something to lean them on; that's not something you have to worry about with the Fold. You will, however, want to be careful where you use this feature. While in this mode, it's resting on the front screen, and it'd be a bummer to pick up your phone and realize the screen's been scratched.

Another benefit of the Fold is that you can see the cameras and the front screen at the same time when it's open, which unlocks a few different features. For one, you can take selfies with the rear cameras, which should give you much better results. You can also display the camera preview on both screens, so the person you're taking a picture of can see how they'll look and adjust accordingly – though it is worth noting that this mode currently doesn't work in portrait mode, which is arguably where it'd be most useful.

Google has also built a twist on that mode called 'Made You Look.' If you're photographing children, you can have the phone display some smiling, animated cartoon features on the front display to try and hold their attention.

View our Pixel 9 Pro Fold sample gallery

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Images: Canon, Manfrotto, SmallHD

Another week has passed, and that means another crop of accessories and photography-related products from manufacturers. This time around, we've got a lot of color and some cheaper storage options. Before we get to that, though, let's look at...

This week's deal

It's Labor Day in the US, so there are plenty of sales around. You can nab the Sony a6100, one of our top budget picks, for $599 body only – that's around $150 off.

Buy now:

Buy at Amazon.com$598 at B&H PhotoBuy at Adorama $691 with kit lens at Amazon

Also on sale is the Nikon Z8, a camera that won a gold reward when we reviewed it and still sits atop our best high-end cameras buying guide. You can grab the body for $200 off at several US retailers.

Buy now:

Buy at Amazon.comBuy at B&H PhotoBuy at Adorama $4,696 with 24-120mm f/4 lens at Amazon Red batteries... Image: Manfrotto

Manfrotto has updated its lineup of third-party batteries, which come wrapped in a striking red shell versus the usual black casing. It's made Mark II versions of its Canon LP-E6Nh type and Nikon EN-EL15c type batteries, which offer 2400mAh capacities compared to the 2000mAh ratings for the previous versions. Canon's official version costs $79 and has a capacity of 2130mAh, while Nikon's $60 battery holds 2280mAh.

The company is also now offering batteries for other manufacturers as well, with versions of Fujifilm's NP-W235, Sony's NP-FZ100, and OM System's BLX-1 batteries, all of which cost $60 and have the same 2400mAh capacity as the Canon and Nikon versions. If you are considering picking one up, just be sure to check the compatibility lists; the one for the Nikon battery lists the Z6 and Z6 II but not the latest Z6 III and the Canon model similarly omits the EOS R5 II (which has had some issues with third-party batteries).

Buy now: For select Canon cameras For select Nikon cameras $60 at B&H $60 at B&H For select Fujifilm cameras For select Sony cameras $60 at B&H $60 at B&H For OM System OM-1 $60 at B&H ... and a color monitor

A more elegant (and expensive) way to color-code gear than gaff tape.

Image: SmallHD

SmallHD is adding a splash of color to its Ultra 7 camera monitor, which is meant for video professionals. You can now get the 2300-nit touchscreen display with buttons, a joystick and bumpers that are colored red, blue, green, yellow, olive green, orange, teal, purple, pink or gray, instead of the standard black. It is, however, a $200 add-on.

If you buy one of SmallHD's monitor bundles with the Bolt 6 wireless transmitter, you'll get an extra splash of color on its antenna band. SmallHD says you'll be able to buy those colorful antenna bands on their own "soon," but says the colors on the monitor itself are "custom-made to order in our factory and are not user changeable." That custom-made aspect also means there's a 6 to 8-week lead time for the colorful options.

Buy now: $3,199 at SmallHD CFexpress Type A for less

If you're looking for a less expensive CFexpress Type A card, you're about to have more options. ProGrade and Angelbird have announced lower capacity entries in their memory card lineups. The former has released a 120GB card that retails for $159.99, and the latter has released 160GB and 330GB cards for $180 and $250, respectively.

If those prices seem unusually high, you may be thinking of the faster and physically larger CFexpress Type B cards, which you can usually pick up for quite a bit less. CFexpress Type A, meanwhile, is quite a bit rarer; at the time of writing, B&H carries around 50 Type A models versus almost 170 Type B ones.

It is worth noting that these cards have a speed trade-off as well as a capacity one; they're built using the CFexpress 2.0 standard rather than the newer 4.0 one that uses a twice-as-fast connection. Of course, 4.0 cards are even more expensive; ProGrade's 4.0 offerings start with a 480GB 'Iridium' card that retails for $390.

Still, if you have a camera like the Sony A9 III, FX30, or A7R V and you'd rather fill the slots with CFexpress cards than SD ones, you now have a less expensive option to do so.

Buy now:

Angelbird 160GB

Angelbird 330GB $180 at B&H $250 at B&H A new large format printer Image: Canon

Canon has announced the imagePROGRAF Pro-1100, a large format inkjet printer aimed at professional photographers. It's an update to the previous Pro-1000 model and uses a new ink system, which Canon says will improve image quality as well as scratch and light resistance. It can print bordered or borderless images up to 43cm x 56cm (17in x 22in) and retails at $1,300 – the same price its predecessor launched at in 2015.

The Return of the King

There's no way to justify this video's inclusion on an accessory list, even though one could argue that the greatest accessory is your knowledge. However, Every Frame a Painting's return feels like such a monumental internet event that it'd be a shame if you didn't hear about it.

Over a decade ago, Taylor Ramos and Tony Zhou started creating some of the best video essays on filmmaking ever to grace the internet, and anyone who's into any kind of visual arts could likely learn a thing or two by watching them. (The one about tracking shots is a good place to start, though there are no wrong answers.) The bittersweet news is that it won't take very long because seven years ago, they stopped uploading entirely. Now, they're back with a new video on two-shots as part of a 'limited series' of essays.

It's so good to see two masters of their craft at work again.